Jayant

Prem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.

A retired school teacher and his wife come to terms with life after the death of their only son in a mugging incident on the streets of New York.

Successful stunt movie featuring a vivacious prince (Jayant), his evil uncle, and a masked girl (Akhtar). Its major attractions, apart from Akhtar who also sings all the songs, is a performing gorilla. Together with e.g. Leatherface (1939), this is the best known of mythological specialist Bhatt’s early stunt work.

Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.

A series of unfortunate events cause a recent migrant into Bombay to turn to a life of crime.

Girdharilal lives a poor lifestyle in Delhi along with his wife, Geeta, and two daughters, and a son. He works as a Money Order Clerk in the Post Office, earns Rs.110/- per Mensem, and wears a torn coat that his wife is tired of stitching. One day at work, he makes an error in a money order but does manage to fix it, collects his pay, and returns home, refusing to drink...

An early Indian drama staring Jayant and Pramila

A couple of gangsters mistake CID Inspector Mohan for a civilian and propose a business plan to him. When he refuses their offer, they plan to make his life miserable.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

The intense events of a single, fateful four-day period forever change the destiny of two lovers, proving that a lifetime of happiness or sorrow can be decided in just a few, fleeting moments.

Raj Kumar falls in love with the beautiful, Indian singer Sangeeta Thakur when she comes to tour Kenya, but his father wants him to marry his wealthy childhood friend, Rani, instead

Father Henry (Rehman) entrusts a newly-born infant in the care of an unwed Maya (Nutan), leaving her to explain the presence of the child. She is literally thrown out of the village and runs away to Bombay. There she is taken care of by a kind-hearted Muslim taxi-driver (Jayant). Years later, the child grows up to be called Ram (Jeetendra), but the question haunting everyone's mind is who is Ram's biological father?

Queen Gulab is enraged when the throne bypasses her son for young Prince Kirit. Kirit is kidnapped during an outing with his bodyguard, Captain Dilip. Though Dilip is arrested, Ram and Rahim rescue the prince. The Queen persists in her schemes, even as a mysterious masked man repeatedly intervenes. She plots against the Minister, unaware that Princess Asha, Kala, Tiger, Bahadur, and Tommy are dedicated to protecting Kirit.

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.

Living a life of privilege in post-colonial India, wealthy young Prem Shankar faces a crisis when his businessman father insists on an arranged marriage to a rich family's daughter. While juggling the affections of his close friend Kasturi, Prem falls desperately in love with the free-spirited gypsy woman, Dulari. When his enraged father issues an ultimatum—never see Dulari again or forfeit his inheritance—Prem must confront the agonizing choice between his duty to his privileged family and the true, forbidden passion of his heart.

To escape an arranged marriage, a dreamer flees to Bombay, only to become obsessed with a lifelike statue of a beautiful woman that magically comes alive, leading everyone—including the law—to believe he has gone completely mad.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

Disillusioned with his wealthy friends, a man pretends to be poor and goes to live in the slums where he falls in love with a burglar's sister.

Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.

Sunil Mehra has successfully completed his medical studies and is now a qualified doctor, who can now practice medicine anywhere in India. He chooses to do so in a small and remote Himalayan village without any doctor or any medical facilities. His doctor fiancee, Neeta, decides to accompany him, but is appalled at the lack of facilities, and leaves. Dr. Mehra must now decide to continue his work there or re-locate.

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

Ashok, a slacker by nature, loves to play practical jokes and finds his life partner in Madhu, another joker. However, one particular joke hits a nerve and they end up being targeted by a gang of criminals.

An early fantasy film produced and directed by Vijay Bhatt for Prakash Pictures

Kal Hamara Hai is a 1959 Indian Hindi film, directed by S.K. Prabhakar and produced by K. Amarnath. The film stars Madhubala, Bharat Bhushan, and Jayant in lead roles. The film has a musical score by Chitra Gupta.