Jayant

Prem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.

Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.

A retired school teacher and his wife come to terms with life after the death of their only son in a mugging incident on the streets of New York.

A series of unfortunate events cause a recent migrant into Bombay to turn to a life of crime.

The intense events of a single, fateful four-day period forever change the destiny of two lovers, proving that a lifetime of happiness or sorrow can be decided in just a few, fleeting moments.

Successful stunt movie featuring a vivacious prince (Jayant), his evil uncle, and a masked girl (Akhtar). Its major attractions, apart from Akhtar who also sings all the songs, is a performing gorilla. Together with e.g. Leatherface (1939), this is the best known of mythological specialist Bhatt’s early stunt work.

Girdharilal lives a poor lifestyle in Delhi along with his wife, Geeta, and two daughters, and a son. He works as a Money Order Clerk in the Post Office, earns Rs.110/- per Mensem, and wears a torn coat that his wife is tired of stitching. One day at work, he makes an error in a money order but does manage to fix it, collects his pay, and returns home, refusing to drink...

Queen Gulab is enraged when the throne bypasses her son for young Prince Kirit. Kirit is kidnapped during an outing with his bodyguard, Captain Dilip. Though Dilip is arrested, Ram and Rahim rescue the prince. The Queen persists in her schemes, even as a mysterious masked man repeatedly intervenes. She plots against the Minister, unaware that Princess Asha, Kala, Tiger, Bahadur, and Tommy are dedicated to protecting Kirit.

To escape an arranged marriage, a dreamer flees to Bombay, only to become obsessed with a lifelike statue of a beautiful woman that magically comes alive, leading everyone—including the law—to believe he has gone completely mad.

An early Indian drama staring Jayant and Pramila

A couple of gangsters mistake CID Inspector Mohan for a civilian and propose a business plan to him. When he refuses their offer, they plan to make his life miserable.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

Kal Hamara Hai is a 1959 Indian Hindi film, directed by S.K. Prabhakar and produced by K. Amarnath. The film stars Madhubala, Bharat Bhushan, and Jayant in lead roles. The film has a musical score by Chitra Gupta.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

Disillusioned with his wealthy friends, a man pretends to be poor and goes to live in the slums where he falls in love with a burglar's sister.

Living a life of privilege in post-colonial India, wealthy young Prem Shankar faces a crisis when his businessman father insists on an arranged marriage to a rich family's daughter. While juggling the affections of his close friend Kasturi, Prem falls desperately in love with the free-spirited gypsy woman, Dulari. When his enraged father issues an ultimatum—never see Dulari again or forfeit his inheritance—Prem must confront the agonizing choice between his duty to his privileged family and the true, forbidden passion of his heart.

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

Father Henry (Rehman) entrusts a newly-born infant in the care of an unwed Maya (Nutan), leaving her to explain the presence of the child. She is literally thrown out of the village and runs away to Bombay. There she is taken care of by a kind-hearted Muslim taxi-driver (Jayant). Years later, the child grows up to be called Ram (Jeetendra), but the question haunting everyone's mind is who is Ram's biological father?

Raj Kumar falls in love with the beautiful, Indian singer Sangeeta Thakur when she comes to tour Kenya, but his father wants him to marry his wealthy childhood friend, Rani, instead

A teacher falls in love with a wealthy girl but decides to go away from her to earn money.

A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too. The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.

An early fantasy film produced and directed by Vijay Bhatt for Prakash Pictures