Luiz Adelmo Manzano

Claé and Bruô, secret agents from enemy Kingdoms of the Sun and the Moon, must overcome their differences and combine forces to find the Perlimps and infiltrate into a world controlled by Giants where war is imminent.

The life of the owners of Circus Esperança, Puro Sangue e Pangaré, father and son, who plays two clowns. At a certain point, Pangaré starts showing tiredness and sadness for being an unhappy clown.

A day in the life of a boy who lives in the railway suburbs of Salvador and works as a car guard in the historic center.

In New York City, an illegal immigrant gets into trouble because of his relationship with a self-destructive prostitute.

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

Disagreements, incommunicability between people. What is said is not heard, what is heard is not understood. Everything is ambiguous. What appears to be is not, except poetry.

Sound Letter is an experimental documentary that investigates the sensory identity of the city of São Paulo. Far from following a conventional linear narrative, the film proposes a kind of sonic correspondence in search of the hidden music of the metropolis. Through the perspectives of Arthur Nestrovski and Eduardo Santos Mendes, the work explores the idea that inhabiting the city means superimposing distinct times, where the contemporary noise of traffic and urban chaos coexist with echoes of centuries-old traditions, such as old street vendors' cries. The medium-length film challenges the traditional documentary form by privileging the sound element as the protagonist and openly presenting its own recording apparatus, transforming the journey of a motorcycle courier into a true ballet of forms and sounds that translate the complexity and vibrancy of the São Paulo capital.