José A. Martínez Suárez

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

Mara Ordaz, a former film star who lives in an isolated mansion with her husband, her doctor and her money manager, decides to sell the house and return to Buenos Aires; but the three men do not agree with her decision.

Osvaldo, a football player on the rise, begins to be targeted by private interests who want to elevate him to the status of a sports star.

A man kills another man because of an old dispute and keeps the gold that the dead one had on him.

The journey of Fernando Birri, the great father of New Latin American Cinema, has left a mark that begins at the legendary Santa Fe Documentary School and continues to this day. His methods, influences, his founding role, his poetic-political commitment, and his artistic output are some of the milestones that make up his journey.

A man from humble origins becomes a famous boxer, but fame has its price.

A criminal escapes from a court, with help of three miscreants, to find his lifelong friend, who is terminally ill. The police officer catch knows there is a hidden loot involved.

When she made her first film in 1960, Vlasta Lah was the only woman to direct a sound feature film in Argentina. Her path was arduous and long: from her childhood in a country torn apart by war to her training at the Centro Sperimentale di Cinematografia in Rome, to her arrival in Argentina fleeing another war, where she became the most important assistant director at Estudios San Miguel. Through her personal correspondence and a meticulous investigation, her name will be rescued from oblivion.

Biographical documentary that traces the life of José Martínez Suárez, unconditional lover of cinema, president of the most important Film Festival of the continent. A lucid protagonist of his life and times.

Tribute documentary on the relationship between music and image in the cinema, as a constitutive part of it, with great musical moments in Argentine films together with the words of those who compose and direct.

Paloma and Marcelo are in love, but only dare meet once a month- see, she doesn't know that he is only pretending to be the son of rich ranchers, and he doesn't know that she is only pretending to be the daughter of the great business tycoon B. Quintana... she is in reality just an employee! But when a desperate Marcelo must take a job at Quintana's company, both their lies begin to unravel.

An employee progresses in the factory where he works by having his wife pass by an attractive Cuban singer.

Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score.

A group of tourists travel Buenos Aires by bus.

A film producer, his wife (an actress) and her lover (a young scriptwriter) are part of a love triangle that will lead to a crime. It is set during the decay of Argentinian cinema studios.

The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.

Documentary that registers the awakening of the city and its daily early movement.

A reconstruction of the artistic memory of the Biancos, Pelicoris, and Alonsos, a family interwoven with theater, film, and radio drama. Through the intimate puzzle piece that sisters Ingrid Pelicori and Irina Alonso piece together, the film rescues an essential legacy of Argentine cultural heritage and invites us to immerse ourselves in the golden decades of the 1940s through the 1970s.

A young woman must alternately live with her separated parents and while her mother gives her a severe upbringing, her father amuses her with his carefree life.

A car salesman recounts his professional journey, from a clumsy beginning marked by invasive treatment and failed demonstrations to a successful fluency. This film Martínez Suárez made on commission for the Argentine automobile factory IKA.

Lucía convalesces from the leg injury she suffered in the previous film. Her friend Ceferino and the undocumented Coyote boy, who cannot integrate into the United States, help her escape from her.

An old tango singer tries to contact his teenage son. A woman who is death or the Devil appears to him and asks him to sell his soul to connect with his son again.

A young millionaire meets a mechanic who has invented a carburetor as a result of a breakdown in her car.