Ditte Hansen

After author Mia finds love with single father Emil, their happiness is put to the test as they undergo fertility treatments to have kids of their own.

Minna, a young girl, misuses her newfound ability to create and control other people’s dreams to teach her bothersome stepsister a lesson. When her stepsister can no longer wake up, Minna has to enter the dream world to save her.

Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.

The renowned professor of child psychology, Onkel Erik, gets the opportunity to test his theories about free upbringing and family coexistence in North Jutland, where with the help of his sister's five children he will open a family team building center for families with children in crisis. It turns out not to be as easy as Uncle Erik and his sister's children had hoped. There are strong forces around the luxurious golf resort next door that are opposing Onkel's plans to open the centre.

This time our already familiar family moves to Africa in order to save endangered wildlife.

Jonas is a Copenhagen homicide scene photographer, happily married, with two kids. One day, his car stalls, another car slams into him, runs head on into a third car and flips into the ditch. The other driver, Julia, is critically injured. He visits her in the hospital and is greeted by her family, who assumes he must be the Sebastian she told them about, the new fiance she met in Vietnam.

As miscommunication and temptations abound, a couple's once-passionate marriage slowly unravels, narrated through humorous dioramas.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.