María Luisa Bemberg

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

A 17th-century Mexican nun defies expectations by becoming a renowned intellectual and writer during the Spanish Inquisition.

A married woman with a traumatic past embarks on an affair with a younger married man.

This short film, filmed at the Rural Exhibition, is a testimony that, based on 70 interviews with girls and boys of 9 and 10 years old, investigates the behavior guidelines imposed by conventional education and the results obtained. Boys are educated in a specific way, with very different life goals, and toys reflect this discrimination: kitchens, dolls, hairdryers, cosmetic equipment, the whole domestic world for girls. Creative games, those that awaken the imagination (trains, cars, building games, men in space), are intended for boys.

In a boring marriage a model-photographer attracts the husband and a young man to the woman.

Centered on a trade fair of products for women, the work's sarcastic and biting perspective falls on both the men who build that "world" (workers and businessmen) and the women who support them. Through techniques of distancing, mostly of image from sound, the artist developed a poignant reflection on the social debasement of and discrimination against women carried out by products that supposedly exalt and distinguish them.

A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.