Franz Grillparzer

The love affair between King Alfonso VIII of Castile and Rahel la Fermosa, a Jewish woman.

Romantic silent film about a merchant ship carrying gunpowder, while two men vie for the hand of the captain’s daughter.

Two riders on their way to Warsaw stop at a monastery for the night and ask an old monk there to tell them the story of its founding.

The cruel King Ottokar of Bohemia, spoiled by fortune and unpredictable, is dead. Now, with the modest Rudolf of Habsburg, peace has finally returned to Austria, for he replaces tyrannical arbitrariness with God-fearing clemency—and the way is clear for a story that lasted 700 years and bears the title: "The Habsburgs in Austria." With this view of Franz Grillparzer's play, many productions have been staged since the premiere of "King Ottokar's Fortune and End" – Rudolf of Habsburg as the gatekeeper to the dawn of a new, better era. It became clear what a great projection screen Grillparzer's play offered. It should really be called "The Habsburgs' rise to power as a development toward the good, the just, the orderly." But it is called "King Ottokar's Fortune and End," and that is what it is about—the fortune and end of a human being and how the one is sometimes directly connected to the other.

The long dead ancestress of a noble family returns to haunt her last two remaining descendants. She can not rest until the entire family line has passed away. When she reappears, the household knows it is an ill omen. The patriarch of the family is old, and without a son. He is eager for his daughter to marry. She has her eye on a handsome young nobleman named Jaromir, but he isn't quite who he appears to be. This may be the opportunity the restless spirit has been waiting for for so long...