Rafael Díaz

Summer 1936: young unemployed communist David Carr leaves Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the POUM (Partido Obrero de Unificación Marxista). After being wounded, he goes to Barcelona, where he joins another group of fighters.

Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana shows up wanting to rekindle their affair. He resists at first, but she stays, asserting that Juan is the only man she can ever love. Juan distances himself from Rosario. The mine has problems: high cancer rates in the area caused by poorly stored radioactive waste. A foreign safety engineer, Petersen, tries to connect with Ana, is rebuffed, but lets her stay in his sea-front bungalow. Juan seeks her out to demand she leave, only to argue with Petersen. Death, desire, and longing play out.

During the Spanish Civil War, a group of comics lightens the days of the Republican troops. Tired of life in the front lines, they make their way to Valencia, accidentally entering enemy land and falling prisoner.

After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.

Teodoro, a Spanish engineer working as a professor in the United States, returns to Spain to enjoy a sabbatical year.

The life of a young girl who plays with little animals and insects is suddenly changed with the arrival of a film crew and a strange man.

The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.