Arturo Alegro

A group of students arrives in a small town during a hiking expedition. Once there, the local priest accuses them of being communist agitators on the run from an army crack-down against student demonstrations in nearby Mexico City and rallies the townsfolk to lynch them. Based on a true story.

Sister María de Guadalupe comes from Mexico to the convent that her congregation has in Spain. She is determined to change, as she has a knack for getting herself into all kinds of trouble. But her new convent is in a difficult situation. The owner of the building has received a large offer to sell it and build an apartment building.

While Mexico swims in the oil veins that were deeded to him by the Devil, a bureaucrat is thrown into a whirlwind of intrigue and international espionage where he discovers that the guts of the beast in charge are one and the same, and the evacuation conduit itself. : We are the shit of that monster. At the same time, a man and a woman discover that behind their passion there is a dark reality that drives them to disguise as action what is only hunger, suffering, desire.

Mexican feature film

On a whim, a retired gentleman decides to track down an old girlfriend from decades back.

Mr. Quevedo is a public relationist in a real estate company managed by Mr. Cepeda. Mr. Cepeda has become rich through fraudulent practices. Mr. Martinez is a client who was victimized by Mr. Cepeda; thus he appears one day at the real estate office looking for Mr. Cepeda but instead he found Mr. Quevedo and appoints him with a gun, Mr. Quevedo farts unintentionally due to the menacing situation. Mr. Quevedo teaches the audience to bravely act according to the own values. —Elizabeth Kahl

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.