Wang Liu-Chao

Hsiao Yun's rise to fame all results from a lucky break, as she's forced to substitute for another singer at the last second. The girl makes the most of her fortuitous opportunity, creating a huge splash in her debut as an entertainer, a fact which forever changes her life! However, this newfound meteoric rise to fame begins to take a toll on her personal life. For one thing, it starts to complicate her burgeoning romance with her pianist lover. And secondly, she soon finds herself the receiver of some sexual overtures from the producer of her show. What will poor Hsiao Yun do? And will blue skies be smiling at her by story's end?

A country girl moves to the city in order to go to school. She has to overcome several obstacles.

A Shaw Brothers romantic comedy

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

Chen Liujin and Zhang Lihong have a chance encounter with Wang Shu and Li Rong during an outing to the beach. Chen admires Wang, but Wang has fallen for Zhang's charm; Zhang fancies Li, whose heart is set on Chen ironically. The two young men seek to approach their objects of affection on the pretext of inviting the dream date of each other to an outing in the country during which they are teased and made fun of by the two women. To wipe away the shame, Wang and Li plot to intoxicate the women, who pretend to be in a drunken stupor while calling for help from their uncle and father respectively. In front of the elders, Chen declares her love for Wang, and Zhang for Li. Hit with the realisation of the women's sentiments, the two men reciprocate their respective admirers with their well-deserved love.

A philandering business tycoon accuses his angelic wife of cheating. He learns the hard way he had it good and hopes to win his wife back.

THE KING WITH MY FACE (1967) offers a well-produced Shaw Bros. variation on Alexandre Dumas' famous tale, "The Man in the Iron Mask."

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.