János Xantus

A man becomes acquainted with the mystery of female hands during a trip.

Insulted when his screenwriter wife writes a leading role for a younger man, aging Broadway idol Fitz Wynn disguises himself as a handsome young Italian.

This short film examines the circumstances of an unintentional murder, without success. As Wittgenstein stated, "Whereof one cannot speak, thereof one must be silent." ("Wovon man nicht sprechen kann, darüber muss man schweigen.")

A mute alone is just a silent man.

Director Janos Xantus was in the middle of making a video about Hungarian rock star Tamas Pajor when his subject suddenly became a convert to born-again Christianity. As a result, Xantus was able to record the startling transition. Pajor had been a hell-bent rocker, heavily into drugs, and known for a violent temper. We see him become a clean-living, clean-cut youth who sings about Jesus. Xantus had captured pre-conversion tape of Pajor trashing a hotel room and punching his hand through a plate glass window. In one of this film's most effective scenes, the new Pajor, hand heavily bandaged, quietly watches this footage. Rock Terito also has some dramatic recreations, but these add little to our understanding of Pajor. The transfer from video to film was generally effective, but some scenes are murkily lit. ~ Clarke Fountain, Rovi

Political and sexual repression in Hungary, just after the revolution of 1956. Passionate and determined, Eva gets a job as a journalist. There, she meets Livia and is attracted to her. Livia feels much the same, but as a married woman, has doubts and hesitations. In their work, they (and Eva in particular) bang up against the limits of telling political truths; in private, they confront the limits of living out sexual and emotional truth.

The movie portrays a peasant revolt in Hungary in the early twentieth century.