Another Way

In May 1919 in a small rural town beside Salgótarján the local high society wants to get the power back with the leadership of dr. Máriáss, exploiting the outside attack launched against the Republic of Councils.

Peti, the young parachutist starts concurring with his fellows during the training sessions: who dares to fall free longer? Orodán, his coach decides that if needed, he would use force to make him give up this perilous rowdiness.

Károly Makk strings together two novellas by Tibor Déry. A téglafal mögött is set in the early 1950s. Comrade Bódi, an embittered party worker, reports his fellow workers who are stealing ‘the assets of the people’ from the factory. During the subsequent public investigation, one of them commits suicide. The camera of Makk tells the story of the period through the crumpled face of Jozef Króner, the blank, hopeless stare of Mari Törőcsik and images of a decaying factory site. In Philemon és Baucis, like in Szerelem, the subject of ageing is tied to the traumas of the 1950s. History turns the idyllic private life of an elderly couple (Elma Bulla and Antal Páger) upside down. The 1956 uprising sweeps an injured fighter their way. The old man helps as best he can while his wife desperately tries to save her husband…

During World War II Carlotta, the circus owner maintains herself, her lover and her rather run-down circus-team by illegal man-smuggling. In the year of 1944, besides the usual refugees, she even has to take Professor Máté, the renown mathematician to the Yugoslavian partisans. The team is joined by Carlotta's psychotic son who has escaped from an asylum.

This sarcastic drama is taken from the popular Hungarian novel by Tibor Dery. A terminally ill writer (Jozef Kroner) of national prominence watches as family and friends gather like vultures for his imminent demise. Relli (Alexander Bardini) smiles and pretends to be the writer's friend as he tries to get his hands on an unpublished manuscript. The opening scene is the highlight of the film. While the dead writer is being laid to rest in a national funeral, he emerges from the coffin and walks into his own grave while the mourners flee in terror.

Luca, who regularly visits her bedridden mother-in-law, hides from her the fact that János, his son, has been arrested on a trumped up political charge.

Every member of a small community in the snow-capped Bükk Mountains is trying to help the doctor get to István Simon forester's house where his wife is about to give birth to their first child.

​A young doctor named Zoltán flees Budapest for his father’s rural estate after performing an illegal abortion on his lover that results in her death. While hiding in the countryside, he attempts to grapple with his guilt and the moral weight of his actions while reconnecting with his estranged family. His isolation is interrupted by a burgeoning relationship with a local woman, Mira, which forces him to choose between permanent escape or facing legal and ethical accountability.

The chroniclers are diligently scribbling the history of life and deeds of the virtuous and wise King Matthias, who, in the meantime, sneaks out of the palace in disguise. Instead of attending a boring reception of the imperial deputies and papal legates, he pays his address to three pretty women from Szelistye.

The young worker Tóth Gáspár gets into hospital with stomachache. During the night his state is worsening. The doctor on duty, Málnási does not attend the patient despite the call of the nurse, for he spends the night with nurse Margó.

From Bonaparte to Casanova, history is cast in the light of famous escapes from various European countries.

Set in the "Golden Era" of the wandering Hungarian theatre troupes. Mariska and Liliomfi fall in love without suspecting that Mariska's foster father, Professor Szilvay, is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting by exposing the professor's hypocrisy, greed, and tyrannical selfishness.

Insulted when his screenwriter wife writes a leading role for a younger man, aging Broadway idol Fitz Wynn disguises himself as a handsome young Italian.

Three people – a returned prisoner of war, his beautiful second wife, and the possessive, hunchbacked spinster who is his sister-in-law by his first marriage – are isolated in a little house under an extinct volcano, where each strives for personal happiness but is suffocated by their dependence on the others.