Ivan Yazykanov

A funny comedy about a kindergarten manager who tries to make all the preparations before the start of a school year.

A comedy about the happy life of Ukrainian collective farmers. Harvesting in one of the Ukrainian collective farms. The tractor driver Pavlo and the best collective farmer Marinka work perfectly. They love each other. I like not only Paul. The official and adventurer Kovynko has long been yearning for the Marinka and building all sorts of intrigues to the Komsomol members.

Russian nobleman Fyodor Ivanovich Lavretsky returns to his estate after years in Paris, only to fall in love with his young cousin Liza, complicating his already troubled marriage and leading to a tragic, emotionally complex romance.

In the steppes of the Kuban love is born on two collective farms while wheat is (enthusiastically) gathered. Galina, the energetic chairwoman of one of the two kolkhozes, vies with her male counterpart for the best harvest. At the same time Gordey, her rival, a former soldier, is (and has been for ages) in love with her. On her part, Dasha a collective farm worker, has heartbeat for a young technician of the competing kolkhoz...

A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness.

While investigating a regular traffic accidents detectives find evidence of foreign intelligence involvement.

Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film.

Soviet and American soldiers are meeting on the shores of the Elbe river in Germany in 1945.

It is the story of an American journalist who spends time in Russia and sees socialism in action. Upon his return to the U.S., a prestigious editor asks him to write a book about his experience. He receives a handsome advance for the project and he and his fiancée are able to buy a house, a car, and other symbols of the American dream. But the editor’s generosity comes with a caveat: the book must present a negative picture of Soviet society. Will he simply keep the money and do what is expected of him, or will he instead tell the truth?