Zio Gianni

ESAMI is a series that recounts the pyrotechnic world of Italian universities. For those who attend it, those who have avoided it, those who have never left it.

Pietro Zinni is asked by the police to revive the old gang to create a task force that will stop the spread of smart drugs.

Has been an year since Pietro Zinni's gang got caught in the Sopox production laboratory and each of them locked up in different jails. From Regina Coeli jail, Pietro keep warning the authorities a fool syntetized nerve gas and he is ready to make a killing, but no one takes him seriously.

The film tells, through the stories of four characters whose lives, in different forms and manners, are either changed or endangered by shoes, an object symbolizing desire par excellence, what we are willing to do to find our identity in the world, how far we go to be loved and accepted. It narrates a world where everyone desires what they don't have, where everyone wants to be what they are not.

An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.

A middle-aged man dissatisfied with the present state of things finds himself in a parallel universe where all technology is stuck in the 1990s.

Three life-long friends struggle with an early middle-age crisis as they start to try to get a job for the first time. An ironic quest to avoid becoming an adult and accept responsibilities.

In Rome, the Cassamortari are people who work in the funeral business. The Pasti family's agency was founded by Giuseppe, who is willing to do anything to turn a corpse into money, preferably in black.

Thomas, a struggling former magician, and Carlo, a Neapolitan submissive to his Northern wife and father-in-law, are two half-brothers who reunite after years in Naples following the death of their father, Vittorio, an inveterate gambler and womanizer. They discover they have a third brother, Ugo, who appears a bit dim-witted but is actually a genius. The inheritance Thomas and Carlo covet disappears due to their father's debts, and the three have a brilliant idea: to exploit Neapolitan superstition and credulity by becoming "ghostbusters." Just when their business seems to be unexpectedly successful, the spirit of their father, Vittorio, takes possession of Carlo's body. Thomas and Carlo become convinced that ghosts really do exist. Meanwhile, the ghosts captured by the trio break free and go to awaken the ghost of a witch who threatens to destroy Naples. With their father's help, the three brothers try to save the city.