Way Back into Love

A Taiwanese opera family spanning generations sticks together and travels around the island to earn a livelihood. On and off the traveling stage, they savor the flavors of life and experience both joys and sorrows. Fearless of hardship, they fight together with resilience, presenting the story of their remarkable lives woven with laughter and tears both on and off the stage.

A Taipei doctor and a San Francisco engineer swap homes in a daring pact, embarking on journeys filled with trials, secrets and unexpected encounters.

When a love guru and a divorce agency owner clash across the street, they discover that sometimes the heart has its own matchmaking plans.

Damian returns to Taiwan, opens a restaurant, and starts a family with Jerry via surrogacy, navigating parenthood and societal pressures while raising their son.

1945-1947, Taiwan. A teenage couple were deeply in love despite objections from the girl’s family. Their tragic story is played out in travelling troupes, tea-houses and western-style cafes, with the backdrop of Japanese occupation and the 28 February Incident.

Jason and his mother, Yun, make big bucks together in Chinatown swindling money out of people since Jason was little. Along with the grocery store owner Andy who took them in since Jason was a baby, they decide to do one last big job. Their target is Mrs. Apple, the founder of Tao Lin, a world renowned porcelain company. Jason pretends to be that rich old granny's long lost grandson, and Mrs. Apple insists on bringing Jason back to Taiwan, so that Jason can officially reclaim his heritage. In Mrs. Apple's extravagant house, these foreigners start role-playing to infiltrate the Zong Family. Jason starts to feel the warmth of being a part of a family that he has never felt before. This has greatly affected Team America's plan, the three of them start to blame and fight each other. Their cover is about to be exposed, but somehow the truth of Jason's family mystery is revealed..

University student Xiang and police officer Vic's romance is tested when political protests place them on opposing sides, challenging their love and understanding.

Follows a group of food vendors who have made their living in the bustling 888 Night Market for over a decade. Their livelihood is threatened when some real estate developer acquires the land where the night market is situated.

After losing their engagement ring, Yi-Zhi fears for his future with Lisa – but as the ring travels from couple to couple, they begin to re-examine the meaning of true love.

Through a famous painting "South Street Festival", a Taiwanese college boy unexpectedly travels 100 years back in time, back to the 1920's, when Taiwan was under Japanese rule. He is stuck, he panics, he wants to return to 2014 but soon changes his mind, not just because of the prettiest geisha girl in town...

Blending modern techno music with traditional Buddhist ceremonial dance on the big screen, The Spin Kid is one young man's redemptive journey from alleyway punk to dance floor pioneer.

In Taipei, there is a place called: XIMEN. There, tons of people come to visit, but most of them forget to see and feel the craziness, the loneliness, the love, and the color within that area. Tigger, a smart-but-lonely girl, whose mother is away, comes to XIMEN to start her own business. She quickly comes to the realization that there are 3 unique things in Ximending: movie, money, and madness. One day, she meets the maddest of them all: a homeless man called: XimenKing, aka, the mad king of Taipei town. He is so mad because: A.he likes to give out money that no one knows where they come from B.he never stays inside of a building, and he even sleeps in a tent at night C.rumor has it that he used to have a family, but the 921 earthquake back in 1999 turned his world upside down.

There Will Be Light is the first documentary in Taiwan to focus on a site recognized for its significance to transitional justice. Centering on Gikong Presbyterian Church, the first citizen-nominated site officially designated by the Ministry of Culture, the film revisits one of the darkest chapters of Taiwan’s authoritarian era—the 1980 Lin Family Massacre.

The reunion of a man and a woman blurs the boundary between reality and memory.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.