Ghawar's Pranks

Tayseer, a conservative man, has grown with a particular hang-up caused by his sister's marriage without his consent. When a man proposes to his daughter Kawthar, Tayseer vehemently opposes their relationship, even if the two are deeply in love. Is it too late to rid him of his hang-up?

Tarek loves his cousin Zubaida and travels to Spain to work in bullfighting under a pseudonym. Zubaida comes to Spain in search of her lover, but despite his pleas for her to return to Morocco, she continues to follow him.

Intersection of the roads of twins allotted years ago.

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

When a man gets out of prison, he starts looking for work, but he discovers that he is alone with no family, so he decides to return to prison again. He starts to commit many crimes to return to prison, but fails to attract the attention of the police.

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.

Due to the great success of the original TV series from 1972, this movie was created with almost identical actors and a slightly different plot. Two friends find themselves in an unexpected conflict when one of them, an employee working in a small hotel, falls for the hotel owner, but she is in love with his friend, a painter who has been staying in the same hotel for a long time, which creates jealousy and conflict between the two friends.

A strict father refuses to let his beautiful daughter marry the young pilot she loves, believing that the life of a pilot is filled with danger. The pilot sees a dead end, but that does not prevent him from using his cunning to persuade his beloved's father of their marriage.

Two friends are trying to find a suitable place to stay. They find a suitable residence for a woman to live alone. The owner of the house rents a room in the apartment to the two friends without the woman knowing during her absence, which generates funny ironies among everyone.

This vehicle for Syrian comedian Duraid Lahham offers the most risqué mad scientist subplot to be found in any of these Lebanese films, thanks to his character visiting the inventor of the Sexatron, a machine whose precise practical purpose remains sketchy, although the method for causing it to blow up is outlined clearly enough in the screencaps below. This sequence evidently tested the censor's limits and contains three splices in the Lebanese version of the movie; it may well have escaped uncut in the Turkish edit of the film.

A psychiatrist hypnotizes his female patients and robs them while they are under. The company where he committed one of his crimes enlists the help of a private detective to find out who is the perpetrator of the robberies.

Salim is a simple farmer who loves Bedour and wants to marry her. He comes across a letter that he thinks is written to his lover, but it turns out that it's written by Bedour whom Ghawar loves and he returns from overseas with a pearl necklace for her.

The events of the play deal with the reality of the Arab world in the seventies, where the events of the play revolve around a village called Ghorba ruled by Bey who enslaves citizens and robs them of their wealth and leaves them to suffer backwardness, to escalate events