Who Doesn't Love Fatma?

The latest that deals with the social and political history of Egypt revolves through three personalities, its children and grandchildren branches, and follows their conflicts, social roles, their human relationship and their different attitudes towards life and the homeland through the direct effects of economic interests on the relationships between the characters and the origins of these three trees.

Karim Nour and Tarek Al-Seyoufy are two successful TV hosts whose shows attract many viewers, which gradually turns them into rivals. When the channel director dispatches Karim to Palestine at the time of the Palestinian Intifada, he reluctantly goes, as he embarks on an eye-opening journey.

When Ayman El-Sersawy, a flirty businessman, marries his secretary Omnia, his frequent trips to Italy raises questions. After he convinces Omnia that those trips are to meet up with his friend Salem whom she wishes to meet, he is shocked to find an unknown man in his house claiming to be Salem.

Prisoner Adham makes a deal with fellow inmate Saad, a businessman who has been accused of stealing 700 million Egyptian Pounds, to work for him as his wife Aisha’s bodyguard. Aisha falls in love Adham. Kathem, Saad’s friend figures this out, and informs him. Saad discovers his wife’s betrayal and fabricates an accusation of Adham. They attempt to escape prison with the money they’ve stolen, except that Adham is thwarted by an obstacle along the way.

Samia rebels against her unemployed husband until she gets a divorce, and starts dreaming of living outside the poor neighborhood into a rich life. She works for a rich man, and tries to seduce his son Sherif to marry her. But when she fails, she transfers the game to his unmarried uncle.

Fayed, a professor of philosophy, is unjustly arrested for obtaining a counterfeiting dollar machine that belongs to his brother, who lives with him. In prison, he meets Khalifa and decides to escape with him and search for his innocence.

Hosni is the owner of a cabaret, he gets used to marrying every time from the dancer who works for him in order to get her money and then abandon her to marry another dancer and so on, but when he reunites three of his victims dancers and get together, they decide together to put a tight plan to take revenge on him for everything he did to them, especially since the side of the cabret has other illegal works in secret.

The film's events revolve around a good Upper Egyptian man who works as a vegetable seller, who decides to take revenge on those who caused the death of his young son.

Al-Kharabi, the poor employee who supervises the stores of the Scientific Institution for Book Printing, lives in very miserable conditions, and suffers from the ignorance and domineering of his wife (Naima), so he decides to keep a pair of rabbits in the store, in response to the advice of (Tawfiqa), the playful worker. Rabbits multiply terribly in the warehouse and eat books, colonize all corporate offices, and threaten an environmental catastrophe.

In a dramatic context, the events of the series deal with the changes of the social relations between the Shazli family members and its head, Mahmoud, from the Royal era until the events of 1952.

The story of the struggle of El Araby who owns a fleet of fishing boats in Alexandria but he faces repeated financial crises, and Fares who dreams of traveling to Europe and rejects the idea of ​​marrying his cousin who loved him since she moved in with his family after her father died.

The story about the residents of the Yacoubian building and their intertwining lives, including Zaki Al-Dousoky who is in constant conflict with his sister, Dawlat, and Hajj Azzam, who used to be a shoeshiner but became a millionaire thanks to his drug trade.

Sayed Abdel Hafiz, famously known as Sayed Opera, is a lawyer famous for the schemes that he uses to defend criminals and drug traffickers. Aida is a skilled doctor who lives in a simple house after her father lost his wealth because of one of Sayed's tricks, until the paths of Opera and Aida cross.

A dramedy about four women who have one thing in common: a married son and a monster-in-law attitude. Each of them begins to fulfill the stereotype of the “controlling mother-in-law”, tormenting both their daughters-in-law and their sons.