Na Corda Bamba

In the swing of the 70s, two women fight for the love of the same man without knowing their fates were already intertwined.

Griselda is a tough, hard-working handywoman who managed to raise her three children on her own. She struggles to make ends meet but after winning the lottery tensions rise as people inevitably show their true value. With plenty of romance and intrigue this incredibly rich and fun telenovela brings together the true values of friendship, love, and family.

A story with multiple plotlines, portraying the 24 hours of life in the beautiful city of Lisbon. It begins with three significant events: a wedding that is about to be cancelled, a crime, and the disappearance of a child. This plot centers on the lives of three sisters.

Oliveira do Hospital, 1995. A screenwriter looking for inspiration, a failed actor trying to get back into the spotlight, and a suitcase full of cash hidden in a chimney. These are the ingredients of Serpentina, whose characters, while trying to make a movie, find themselves in a gangster film they don't know how to get out of. This film is part of the Contado Por Mulheres (Told by Women) project. This is a unique project in Portuguese audiovisual media that brings us the freshness of new female directors, all from different generations and recognized for their talent in various areas such as cinema, theater, dance, and advertising.

Fátima and Laurinda are mother and daughter and the only thing they have in common is their blood ties. While Fátima suffers a series of misfortunes because of her daughter, Laurinda seeks to ascend socially at any cost through a millionaire marriage with the Martins de Mello heir. Meanwhile, Raquel, the widow of Fatima's brother, returns to Portugal to confront the Martins de Mello family, whom she judges guilty of her husband's death in the 9/11. Parallel to intrigues, rivalries, secrets, blackmail and betrayals, the arrival of a great mystery haunts everyone's lives forever: The enigmatic Tubarão.

Luíza Albuquerque sees her life collapse after her daughter runs away from the altar. Shortly after, in an increasingly stifling relationship, she receives a fatal sentence: she has only one year to live, and no amount of money in the world, which she has accumulated – not always in the best way – will be able to save her. Faced with this revelation, she decides to be happy in the short time she has left, even if it means ruining the lives of her sisters and her own daughter.