Układ krążenia

A group of veterans recount a horrifying experience when trapped in a minefield, resulting in each losing their sight.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.

A young couple leave a lake campsite on motorbike at the same time as a bus full of youths. The boy accidently loses a tent along the road which is picked up by those in the bus who offer a trade of the tent for his girl.

A somewhat ironic depiction of life in a small Polish town at the beginning of the 1970s. The local brass band plays in the streets. Girls stroll, younger boys play soccer. Someone is looking at someone with interest, someone is courting someone, someone is parting ways. A poet associated with a local art group writes poems about everyday life.

A unique recording of a therapy session conducted by Wojciech Eichelberger at the Psychoeducation Laboratory, the first Polish institution of psychotherapy, training and coaching established in 1978. The film includes recordings of fragments of group activities and statements of the participants.

Portrait of Andrzej Mleczko - cartoonist and painter. Andrzej Titkow, a documentary filmmaker, is interested in Mleczko's satirical drawings which were extremely popular in the 1970s. With a seemingly reporter-like camera, he films the opening of an exhibition of his works and stages the situations drawn by the artist.