Conquistadores: Adventum

In March 1968, four girls affirmed that they had appeared the Virgin Mary on the Alcaparrosa estate, one kilometer from the village of El Palmar de Troya, in the province of Seville. Weeks later, several neighbors affirmed that they had had other appearances and in the summer of that same year an altar was built that would be the first stone of the Palmarian Christian church. Those first appearances gave rise to a religious empire that expanded throughout the world, broke with the Vatican and appointed its own popes. In June 2018, Ginés, the last Pope of El Palmar de Troya, and his wife stormed the congregation's facilities. It was the penultimate episode of an extraordinary story that navigates between tragedy and surrealism. Scandals, the shadow of sexual abuse, improbable anecdotes and all kinds of accusations have marked the more than fifty years of this religious order to which some consider church and many others a great sect.

Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.

On March 30, 1968, four 12 and 13-year-old girls claimed that the Virgin Mary had appeared on the Alcaparrosa estate, one kilometer from the village of El Palmar de Troya, in the province of Seville. Weeks later, several neighbors affirmed that they had seen other appearances and in the summer of that same year an altar was built that would be the first stone of the Palmarian Christian church. In June 2018, Ginés, the last Pope of El Palmar de Troya, and his wife assaulted, with brawl included, the congregation’s facilities. Scandals, the shadow of sexual abuse, unlikely anecdotes and all kinds of accusations have marked the more than 50 years of this religious congregation to which some consider church and many others a great sect.

This non-fiction series on the life and career of Lola Flores is built on the testimony left to us by her daughters, her sister, her friends, her researchers and many of today's artists of various kinds who have been influenced by his art as Rosalía, Miguel Poveda, C. Tangana or Ara Malikian (among many others).

Tomás, a birdwatcher and photographer, tries to give his career a push by taking an impossible photograph: an albino bird never seen outside captivity. To this end, he drags his wife and daughter to the Amazonian forest.