Blasco Ibáñez

Lucas, shy and repressed, and sanctimonious Enriqueta are parents of nine children, so he decide to convince her to take the contraceptive pill.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

In a small Spanish town, during the Christmas holidays, a group of rich old ladies organize a peculiar event that consists of inviting a homeless person to sit down to dinner at their wealthy table. Plácido, a humble worker, is hired by the organizers to participate in a parade with his three-wheeled vehicle, a seemingly simple mission that will not be easy for him to accomplish.

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

Professor Hamilton, a naive Nuclear scientist who once thought bombs were good for humanity, realizes his mistake and runs away from his inventions. He hides in Calabuch, a beautiful seaside town where people still believe in humor and friendship.

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

In a small town near Madrid, Paquita and her brother Venancio, both single and with a childish personality, live under the shadow of their bossy older sister, Ignacia, a grumpy old maid.

A catalan manufacturer of intercoms travels to Madrid, accompanied by his mistress, to attend a hunt that he has organized. Its main purpose is to mix with people of high society to improve their business. All seems well until the owner of the farm shows full authority over James, who is the real organizer of the meeting. The celebration is diverse characters who live next to absurd situations.

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

An organ grinder called “El Rubio” has the crank of his street organ confiscated because he did not have his identification papers in order. From then on, a journey full of misfortune begins in which he tries hard to find a crank like the impounded one, to allow him to work again.

Ricardo is an executive who has great success with women and behaves almost like a play-boy. His wife Carmen, an attractive housewife without children, feels ignored by him and seeks solace from her mother, who proposes Carmen a change in the way she acts in order to not permanently lose her husband or fall into madness.

A prison in Valencia hosts an event recognizing political prisoners jailed during Franco’s reign. The reunion proves more raucous than the organizers intended.

Count Fernando, called Didino, a shy and sexually repressed man, lives under the oedipal authority of countess Mafalda, his bloodsucking and over-controlling mother, until their family hires a new young maid that changes his life.

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.