North of 60

My Life as a Dog is a contemporary, half-hour Canadian TV series that aired in 1996 and ran for 22 episodes. It was based on the 1985 Swedish movie of the same name and developed for Canadian television by, among others, Reidar Jönsson, author of the original autobiographical book. It is the coming of age story of a young boy, brutally dragged away from his familiar universe into an unknown world. Though aimed at teens, it has been rated above the usual "infantile sitcoms". The series was shot on location in Winnipeg and Gimli, Manitoba. It was directed by Neill Fearnley and produced by Atlantis Films Limited and Credo Entertainment Group.

Formerly filthy rich video store magnate Johnny Rose, his soap star wife Moira, and their two kids, über-hipster son David and socialite daughter Alexis, suddenly find themselves broke and forced to live in Schitt's Creek, a small depressing town they once bought as a joke.

FBI agent Audrey Parker arrives in the small town of Haven, Maine to solve a murder and soon discovers the town's many secrets—which also hold the key to unlocking the mysteries of her lost past.

Fact-based drama about the life of Marie Balter, who spent most of her young life in mental institutions. At age 16, she first attempted suicide and the next 20 years she spent in and out of the institutions. At last, a caring doctor started treating her for extreme depression and panic disorder. Weened from strong medications she had taken all her life, at age 36, she emerged for the last time and started a rehabilitation program in the home of a volunteer married couple. There she met a fellow patient with whom she developed a romantic relationship. She also started a college degree. This followed with a long-term professional success in the field of mental health.

Traders is a Canadian television drama series, which was broadcast on Global Television Network from 1996 to 2000. Set in the Toronto-based investment house Gardner/Ross, "Traders" explores the intimate lives and loves of investment bankers whose high-stakes decisions and sizzling alliances can have grave international consequences.

The Odyssey is a Canadian-produced half-hour adventure-fantasy television series for children, originally broadcast 1992-94 on CBC Television. It starred Illya Woloshyn as Jay Ziegler, Ashleigh Aston Moore as Donna/Alpha, Tony Sampson as Keith/Flash, Andrea Nemeth as Medea/Sierra Jones, Mark Hildreth as Finger, Ryan Reynolds as Macro, Janet Hodgkinson as Val Ziegler, and Devon Sawa as Yudo.

Cold Squad is a Canadian police procedural television series first broadcast in 1998 that followed the investigations of a part of the Vancouver Police Department Homicide Division tasked with solving cold cases, the titular Cold Squad, as led by Sergeant Ali McCormick (Julie Stewart). The cast of Cold Squad was diverse and changing, McCormick being the only character to appear in all 7 seasons. Between the second and third seasons, almost the entire on-screen cast other than Julie Stewart were replaced. This along with the new sets, a significant revamp of the credits and theme music, and even having McCormick's hair change from auburn to dirty-blonde all contributed to a considerable reworking of the series.

The Adventures of Shirley Holmes is a Canadian mystery TV series that originally aired from 1997 to 2000. The show was created by Ellis Iddon and Phil Meagher who had produced a successful series of books with Harper Collins, teaming up with Credo and Forefront to develop the TV series. Filmed in Winnipeg, Manitoba, the series follows the life of Shirley Holmes, the great grand-niece of Sherlock Holmes who, with the help of ex-gang member Bo Sawchuk, tackles a variety of mysteries in and around the fictional Canadian city of Redington. On some occasions, she found herself matching wits with archnemesis Molly Hardy. The show has been broadcast in over 80 countries and has been dubbed in French, Spanish, Italian, Portuguese, German, Norwegian, Polish and Turkish. Her performance in the show led to actress Meredith Henderson being nominated for a Gemini Award in 1998 and winning one in 1999. The show itself was twice nominated for a Gemini Award in the category "Best Children's or Youth Program or Series" in 1998 and eventually won it in 1999. In the spring of 1998 Susin Nielsen won a Gemini Award in the category "Best Writing in a Children's or Youth Program" for her screenplay of the episode "The Case of the Burning Building". In the same year, Elizabeth Stewart won a WGC Award from the Writers Guild of Canada for her writing of the episode "The Case of the Maestro's Ghost".

Follow the adventures of a group of human mutants - led by the mysterious Adam Kane - possessing extraordinary powers as a result of genetic experimentation gone awry.

The Crow: Stairway to Heaven was a 1998 Canadian television series created by Bryce Zabel spun off from the The Crow film series starring Mark Dacascos in the lead role as Eric Draven, reprising the role originally played by Brandon Lee in the 1994 film The Crow.

Blue Murder is a Canadian crime drama television series, featuring stories that reflected the turbulence of urban life and the crimes that make headlines. The Blue Murder squad members were an elite group of big-city investigators out to solve some of the city's most complicated and riveting crimes.

Made in Canada is a Canadian television situation comedy which aired on CBC Television from 1998 to 2003. Rick Mercer co-created the program and starred as mercenary TV producer Richard Strong. In the United States, France, Australia and Latin America, the show was syndicated as The Industry. It was produced using a single camera setup.

The Eleventh Hour is a Canadian television drama series which aired weekly on CTV from 2002 to 2005. The show revolves around the reporters and producers at a fictional television newsmagazine series, The Eleventh Hour. Unhappy with the newsmagazine's shrinking audience, the network has brought in a new executive producer, Kennedy Marsh, to reorient the show in a more ratings-driven tabloid journalism direction. The tension between the ratings imperative and the more traditional journalistic ethics of the show's senior staff is the primary conflict that drives the show, but storylines also include the team's efforts to get the stories that will make it to air each week. The Eleventh Hour was produced by Alliance Atlantis, Canada's largest film and television production house. It aired in the U.S. on Sleuth, under the title Bury the Lead, to distinguish it from a CBS series with a similar name.