Tutto l'amore che resta

Palermo, 1979. The Giammarresi are a normal family — father, mother, a ten year old son and a daughter of sixteen — struggling with the problems of everyday life. Seemingly ordinary problems, oh, and the Cosa Nostra, the Sicilian Mafia. Inspired by Pierfrancesco “Pif” Diliberto's film.

Valentino and Salvo, unemployed and in search of fortune and recommendation, leave Palermo for Valentino’s home town, Monteforte, where they will try to survive the Italian crisis by opening some sort of hospice.

Inside Bar Sport, a bar on the outskirts of Bologna managed by the histrionic Onassis, the adventures of regulars and casual patrons unfold. Searching for a pinball machine or a payphone, they encounter the omnipresent "technician," so called for his passion for soccer and always ready to chat or moderate other people's discussions. Thus, the ordeals of the handyman Bovinelli as he deals with the disasters at Muzzi's house, the diary of a provincial playboy's conquests, the sex life of the fiery prostitute Elvira, the search for a good restaurant during a dazed motorcycle trip with Cocosecco, or a trip to see Bologna play with the lawyer Della Lana become epic tales of tragicomic exploits.

Franco Califano, fallen and resurrected several times, begins his third life after the years of drugs and prison, of a youth lived to the last breath, appearing at Sanremo just to come in last in the rankings. But his third life as an artist has just begun, and it takes place during the sold-out concerts organized by his unconventional manager who, instead of choosing high-end venues, sets dates in dance halls and trattorias frequented by the people who love him. Around Franco, his lifelong friends, who have common names, far from show business, and who support and encourage him, look after him while the blows of age and a wild life begin to be felt, while his legend, destined to last, continues to grow.