BOKUKOE

A biographical dramatization about the production of the original Ultraman, the beloved classic special effects fantasy series from Eiji Tsuburaya.

Princess Go was the youngest of the most famous three sisters in Japanese history, who each led a remarkable life in an age of turmoil and civil war. Go loses her parents in the war, marries three times, and feuds with her own sister in competing for power. Go's husband becomes the second Tokugawa Shogun and she ensures her prominence as she gives birth to a son who later becomes the third Shogun and a daughter, a wife of the Emperor. The drama describes the age of the civil war through the eyes of Princess Go, who plays a significant part in establishing the age of peace that lasts over 200 years in Japan.

It’s the mid-1970s at a time before the TV recording function became commonplace. The Kaijuu Club is a group of youths that loves fancy special effects series such as Ultraman and Ultra Seven. They put everything into researching monsters which appear in these series from every possible angle and hold editorial meetings to publish a fan magazine on the monsters. The members of the club would gather at their usual coffee shop and have enthusiastic and heated discussions without being daunted by the chilly stares of the people around them.

Aoi Midori is a pharmacist and in the 8-year span of her career, she has worked according to her strong belief that "One must know the patient well in order to prescribe the correct medication as medicine is the bond that connects the patient's today to his/her daily life henceforth". Due to that, Aoi usually takes a long time in her consultations with the patients, and this causes her to be complained by her colleagues for being too inefficient in her work. Aoi shrugs off the complaints as her goal is to help the patients regain the daily life that they once took for granted.

Kaoru Mitazono (Masahiro Matsuoka) is a talented housekeeper with an usual secret. Kaoru is actually a guy! Besides cooking, cleaning and babysitting Kaoru Mitazono has the unusual habit of discovering secrets held within the family of her employers.

Set in Kyoto in the last days of the Edo Period, the bloody conflict continues between local feudal domains, which aim to overthrow the Tokugawa Shogunate, and the Shogun's police and city patrol. Tajuro Kiyokawa, once the master of the sword but now a depraved samurai who left his domain putting aside his past ambition, barely makes ends meet. Toyo, a woman who runs a tavern next door, feels affection for Tajuro who guards her place against nasty customers, but he never realizes Toyo's feelings.

Keiko is the new owner of a local television station, and she's determined to succeed, no matter what! But the rival TV station will stop at nothing to crush her, and one by one, Keiko's new programs are humiliatingly sabotaged. When the weather woman falls victim to an underhanded trick, Keiko decides that she's through being nice. While filling in for the stricken reporter, she flashes her underwear, making her weather forecast an instant hit! What follows is an outrageously sexy contest - which judges skimpy costumes and arm wrestling instead of beauty and talent - to determine who will be the reigning weather woman!

Keiko, a young, newly hired weather woman, is eager to give her channel's flagging ratings a boost. She decides a panty shot might do the trick, so during her forecast she lifts her skirt, thereby capturing the attention and the hearts of viewers. Keiko's stunt creates such a stir of excitement over the weather report that viewers begin religiously turning in to see what she'll do next. However, this showboating routine earns the ire of Kaori, the beautiful and ambitious daughter of JTV's chairman. Jealous of her success and aching to take over the weather report, Kaori is willing to do just about anything to get what she wants.

Kenzo and his high school friends live in anguish, believing that there is something that sets them apart from everybody else.

#8 in the series, after "Lady Loan Shark."