Gaujų karai. Karalystė

A film about the psychological crisis of a woman in her 40s as she tries to create the illusion of love - looking for herself in love and love in herself.

The film portrays Lukša's attempts, in trips to western Europe, to gain support for the armed anti-Soviet resistance (known as the Forest Brothers), whose fortunes in a guerrilla war against Soviet authorities were waning, largely due to widespread infiltration and harsh crackdowns by the NKVD.

On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.

An examination of the trials and tribulations of the Jordache family, from the period following World War II to the late 1960s.

Pranas, now a celebrity singer, returns to his homeland from a big city. He is greeted at the airport and driven to his native village by a childhood friend Jonas, who works there as a doctor.

MONA is a modern and thrilling drama with erotic and fantasy elements. In a rural area where a slaughterhouse is the only industry lives a mysterious nature child Mona. The dull routine of villagers is broken by a city businessman Thomas who comes there for his uncle’s funeral and to sell the inherited estate. Meeting Mona throws Thomas in a dangerous maelstrom of illusions, passion and obsession.

A sad story about love between Linas and Ruta - two young students in Vilnius.

An epic tale set at the turn of the 20th century in a struggling fishing community, following the life of a woman widowed at the beginning of the film.

Facts is a dramatization of a massacre in a Lithuanian village during World War II when Nazis rounded up over 100 men, women, and children accused of partisan activity and then torched the houses in which they were held. Using Russian interrogations of a few survivors, the testimony of villagers, and some of the Germans responsible for the killing, the film gradually reconstructs the event and its context.