Countdown Revolution

Classic Countdown celebrates one of the most loved programs ever produced and broadcast by the ABC, spanning 13 years from 1974-1987, providing the soundtrack to an entire generation of Australians.

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

The place is Melbourne, Australia 1978. The punk phenomenon is sweeping the country and Dogs In Space, a punk group, are part of it. In a squat, in a dodgy suburb, live a ragtag collection of outcasts and don't-wanna-bes who survive on a diet of old TV space films, drugs and good music. And the satellite SKYLAB could crash through their roof at any moment...

Conceived by and starring Shane Crawford, The House of Bulger chronicles the incident-packed life of former country football star Hank Bulger who now runs major fashion empire.

Using archival film, aerial photography, stills, prints and contemporary footage, this documentary presents the city of Melbourne and its lifestyle. Looks at the unique Victorian architecture that transformed Melbourne from a tent city during the Gold Rush to a modern and prosperous city. Captures the vibrant streetscapes, the trams, the elaborate arcades and some of the institutions that cater to Melbourne's elite such as the Georges store and the Melbourne Club.

Countdown was a long-running popular weekly Australian music television show broadcast by the Australian Broadcasting Corporation from 8 November 1974 until 19 July 1987. It was created by Executive Producer Michael Shrimpton, producer/director Robbie Weekes and record producer and music journalist Ian "Molly" Meldrum. Countdown was produced at the studios of the ABC in the Melbourne suburb of Ripponlea. Countdown was the most popular music program in Australian TV history. It was broadcast nationwide on Australia's government-owned broadcaster, the ABC and commanded a huge and loyal audience. It soon exerted a strong influence on radio programmers because of its audience and the amount of Australian content it featured. For most of the time it was on air, it also gained double exposure throughout the country by screening a new episode each Sunday evening, and then repeating it the following Saturday evening. The majority of performances on the show were lip synched.