Amor de Papel

Based on the book of the same name by bestselling author Roberto Saviano, ZeroZeroZero is an unforgettable exploration of the inner workings of the global cocaine trade.

In a small town in northern Mexico, where two drug cartels rule, the young man Lupe embraces his dangerous fate. He transforms into Coyotl, a mythical creature that is half man and half beast. With this transformation, Lupe wants to become the protector his people so desperately need.

The brutal murder of the wife of “Toro,” a military hero in the special forces, turns him into a man with a single purpose: revenge. After a stroke of fate makes him a millionaire, Carlos transforms his fortune into an arsenal and, together with his closest soldiers, sets out to hunt down those responsible.

In 1971, two young entrepeneurs decide to organize a race car with lots of indie rock bands livening up the event in Avandaro, Mexico. When only 25 thousand tickets are sold but more than 200 thousand people arrive, things start to get out of control.

Allie Fox—a brilliant inventor and stubborn idealist—uproots his family for a dangerous quest through Mexico to flee the U.S. government and find safety.

Mia, an expert speaker in witchcraft, takes a trip to see a therapist. On the way she meets a group of young people who will begin to die one by one to bring an evil spirit back from death.

Roberto Martínez (Armando Álvarez) loses his job, his home and his family; He has to spend a few nights on the street in what a reaction plan does. One of those days he meets a hairy friend with whom he will live new adventures until both recover everything they have lost.

On the run from the police, an Arizona man crosses into Mexico and gets deeply involved in drug trafficking, with the help of modern technology.

A mother's love leads her to do anything to satisfy her child.

After his third intent of commit suicide, Emiliano begins the preparations for his next and definitive intent of killing himself, with the help of a 40-year old nurse named Bertha, and a very strange book called "The Suicide Manual".

Chano is a kid from a remote indigenous community in the mountains of México, he has the responsibility to walk for hours to take to the Sunday street market the idols of the "Tecuanes" that are handcrafted by Cenobio, his grandfather. The old sick man Cenobio shared with Chano the legend and the ancestral tradition of the Tecuanes "Cuilli and Macuilli". Days later Chano sells the idols to a couple of tourists and by using the argument that the legend is interesting, the tourists suggest Chano to go to sell the idols to the city making him believe that he will improve his life conditions.\n\nChano convinces Cenobio to go to the city leaving behind his mother and brother. In the meantime the idols and their story are given, stolen and used by different owners to achieve their purposes, ambitions and needs.

Daniel and Carmina, a marriage that is about to brake up; Julián and Alicia, a fleeting but intense courtship; Leonardo and Sofía, a courtship that begins in adolescence and lasts until adulthood; Wendy and Bobby, a relationship that fate is responsible for breaking. Through convergent stories, all the characters will discover that love is much more complex than it seems.

Manuel, a thief from Mexico City, steals to survive and pay his debts. One night, like anyone else, he goes out to steal without knowing that he is followed by a supernatural entity that heralds his death.

After the "Boiling," a phenomenon that evaporated most of the planet's drinkable water, a couple of acquaintances meet to claim the prize that one of them has won: a liter of water.

A disaffected teenager discovers an intruder on his family's property, a strange encounter that disrupts the calm of the countryside and reveals his father's cruelty.

In the almost deserted town of La Raya, a mysterious refrigerator appears out of nowhere. Sotera Santos and her friend Eric see an opportunity to make a fortune by selling it. However, the fridge soon starts unveiling strange and enigmatic phenomena to those who approach it. As Sotera grapples with these unsettling occurrences, she must also face the painful reality that her mother might not return to take her to the United States, and that perhaps her departure from La Raya is not yet meant to be.