The Deal

In room 87 of the Federal Palace, a parliamentary committee is discussing a future law authorising the use of GMOs in our food. Jean-Stéphane Bron sets up camp with his camera at the door of the political kitchen, following it as it dishes up various tactics, power plays and twists. This irresistible political thriller was the film that introduced the director to a wide audience.

On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

Three months after surviving a terrorist attack in a bistro, Mia is still traumatized and unable to recall the events of that night. In an effort to move forward, she investigates her memories and retraces her steps.

Sight, like other senses, is as much a matter of personal experience as of the absence of possible comparisons. How can we know what others see and in what way? How can we describe when our reference points are constantly escaping? Faced with the risk of blindness since childhood, Manuel von Stürler lives in dread of this fate and condition; his lust for sight (Fureur de voir) retraces an initiatory journey into the universe of vision and senses, into the definition of darkness or of nothing.

After the fall of the Berlin Wall, the Bern Federal Police revealed they had been keeping activists from far-left groups in Western Switzerland under surveillance for years - among them, Claude Muret. In his first film, Jean-Stéphane Bron deploys a humorous and affectionate gaze to chronicle the story of these ex-“cops and outlaws” who come from a generation marked by clashes… of ideology.

Adopted by a well-off Swiss couple with slightly older son and daughter, Vinh never cut off links with his country of origin. Postcards from the adoptive family regularly conveyed to Vinh's mother in Vietnam reassurance about the warmth and nurturing environment that she always wished for her boy. Now grown up, Vinh is getting married; after so many years, the wedding is the ideal opportunity for his mother, accompanied by uncle Dac, to visit the adoptive family. Nothing would cause a greater consternation among its members. The parents underwent a less than amicable divorce, the father is bankrupt, the sister estranged, the elder brother brooding, the model family broken up. What can be done to prevent the unavoidable and profound disappointment of Vinh's mother and uncle Dac when they discover the fiasco?

Sarah is a French astronaut training at the European Space Agency in Cologne. She is the only woman in the arduous program. She lives alone with Stella, her seven year old daughter. Sarah feels guilty that she cannot spend more time with her child. Her love is overpowering, unsettling. When Sarah is chosen to join the crew of a year-long space mission called Proxima, it creates chaos in the mother-daughter relationship.

The Blocher Experience tells the story of Switzerland’s most controversial political leader. It also chronicles the face-to-face encounter between a film-maker and a man of power, through a year of exclusive, up-close interviews and access to his private life.

Is it possible to replicate the human brain on a computer? To connect it to machines? Research aimed at understanding the functioning of our biological brain is being matched by spectacular progress in the development of artificial intelligence.

Diane Kramer is led by one obsession: to find the driver of the mocha color Mercedes which hit her son and devastated her life. With a few belongings, some money and a gun, she goes to Evian, where she's learned the driver lives.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.

To the amusement of their adult children and friends, long-divorced couple Don and Ellie Griffin are forced to play the happy couple for the sake of their adopted son's wedding after his ultra conservative Catholic biological mother unexpectedly decides to fly halfway across the world to attend. With all of the wedding guests looking on, the Griffins are hilariously forced to confront their past, present and future - and hopefully avoid killing each other in the process.

This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...

An eccentric family portrait set during the May 1968 protests in Paris. A nine-year-old boy stays with his grandparents and uncles while his parents protest. When an illustrious guest seeks refuge in the apartment, the family’s dynamics change.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.