Miyamoto Musashi

A biographical movie about Shinran

1942 Japanese movie

A stop-motion animated TV series based on the novel by Eiji Yoshikawa, featuring puppet art by Kihachirō Kawamoto. This is a historical picture scroll depicting various human characters, breathtaking battles and political struggles from the rise to fall of the Heike clan.

Continuation of the biographical film about the monk Shinran, based on the novel by Eiji Yoshikawa. Shinran, born of the fading aristocratic class, was placed in a monastary on Mount Hiei when still a child. He did not come down for twenty years, when his wanderings begin as he spreads his ideas for achieving enlightenment through the Pure Land sutra. Because his teachings contradict the powerful Tendai sect, he comes to grief with the government, his followers persecuted, himself exiled to far coastal Echigo where he married & began raising a family but soonafter was wandering & teaching again. He lived to be ninety.

Orphaned when he was not yet ten, Musashi grows up skilled in the martial arts. During the Battle of Sekigahara, he fights on the side of the losing Toyotomi forces, but eludes the enemy as they hunt down the vanquished soldiers. He then spends years wandering the countryside mastering the sword. As his fame spreads throughout the nation, men seek him out to test their skills against him--most notably Sasaki Kojiro who faces Musashi in the ultimate duel at Ganryujima.

The story of Yoshinaka during the tumultuous period of warring related to us in the Heike Monogatari. Close in setting to Kinugasa’s famous Gate of Hell (1953).

The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.

Set at the end of the 12th century when several wars for control of Japan disrupted a long era of peace, this tale of "Heike" (another name for the Taira clan) focuses on Taira Kiyomori who fights alongside other members of his clan to at first successfully overcome the Minamoto clan and their bid for power. Battles and intrigue abound, as the puppet Emperor and Buddhist monks take sides in the power struggle. At issue is Kiyomori's parentage, not an unusual problem for the nobility in that era where clandestine liaisons among courtiers and the upper classes were common.

In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.

The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.

In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.

From the pen of Yoshikawa Eiji comes this exciting story. The Naruto Strait separates Tokushima from the islands of Awaji and Honshu. On Tokushima the mad lord dreams of conquest and forges a bloody revolt against the Tokugawa shogunate. A mysterious swordsman named Noriyuki Gennojo has crossed Naruto’s waters to uncover the Awa clan’s secrets. He puts his life on the line after finding a testament of Awa’s secrets, written in blood by a dying man. Joining Noriyuki are a female ninja who loves him, and the beautiful daughter of an enemy who’s sworn to kill him. Awa’s defenders willl stop at nothing to prevent the blood-soaked letter from reaching the shogun.