Karşılaşmalar

Amidst the journalism, Young Turk partisanship, and other events that ravaged the country before the Second Constitutional Era, Adnan, a law student living with his mother in Aksaray, becomes a teacher at a pasha's mansion to teach the pasha's daughter Süheyla through the mediation of a friend. Despite his pro-freedom ideas, Adnan wins the pasha's favor with his morality and honesty. While he intends to marry Süheyla, he meets Belkıs Hanım, the daughter of another pasha known for his corruption and disliked by the people, but who is married to perhaps the only beardless, mustache-less officer in the army. known for corruption and disliked by the people, but married to perhaps the only beardless officer in the army. Confused, Adnan abandons the idea of marrying Süheyla. However, he is only a teacher to Belkıs. Based on the novel of the same name by Mithat Cemal Kuntay.

The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everything starts to go bad for the Agha. Due to the long drought and provocations of Kekec Salman (big brother of Kiraz), the peasants steal the crops and run away to Istanbul. Without the peasants and crops, Agha is also forced to sell the village and move to Istanbul. But he cannot keep up with the big city life and consumes all his money and belongings. Agha's wife and relatives leave him during this downfall.

A Turkish mortician in his 30s, Baki is an introverted man content with his isolation from society. However, when he comes up against death at close range, a troubling question strikes him: who would wash his body after he dies? This realization pushes him to venture out into the world, hoping to connect with people and perhaps even find a spouse. Yet, his life-changing decision proves difficult to go through with, leading to a series of awkwardly humorous and sometimes bizarre situations.

The story tells the story of three related families who do not know each other and are forced to live together.

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

Written by Yılmaz Erdoğan and first staged at the Beşiktaş Cultural Center (BKM) in 1995, Otogargara ran for four seasons to sold-out audiences. The play was also performed 468 times in many provinces and districts of Anatolia between 1995 and 1999, in addition to Ankara and İzmir. During its run at BKM, Otogargara was directed by Turgay Kantürk and featured Yılmaz Erdoğan, Demet Akbağ, Sinan Bengier, Olgun Şimşek, Zerrin Sümer, Erdoğan Dikmen, Gürdal Tosun, Evrim Solmaz, and Serhat Özcan, along with 22 other actors and dancers. It was the first play produced by BKM.

A beautiful girl from Istanbul moves to a small village and that changes her life.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

The life and times of rather traditional Sutcuoglu family and their comedic struggles to adapt the high-profile contemporary life of Nisantasi.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

The story of nine independent women from various parts of society who committed various crimes.