Prime Minister of Yuhigaoka

The sexworker who works in Turkish baths plans to make her fortune on the stock market, open a beauty salon, and marry her boyfriend. However, her plans are turned upside down by the arrival of her half-sister, and her boyfriends unfaithfulness.

Chojin Barom One (超人バロム・1 Baromu Wan), or Superhuman Barom 1 is a live-action adaptation of a Japanese manga series written by Takao Saito, produced two years after the comic was originally released. It stars Hiroyuki Takano as Gentaro Shiratori and Hiroki Izuka as Takeshi Kido, the two protagonists.

Journalist Kuroki is investigating clandestine arms sales to Southeast Asia. He discovers that the point man in an arms trade was also involved in the cover-up of a murder on an American base during the Allied Occupation. The film rolls along as a suspenseful thriller while offering a critique of political corruption, hypocrisy, and journalistic cowardice in postwar Japan.

An uplifting drama about the bond between a group of high school seniors and their kind-hearted teacher, Mr. Yabuki. Faced with the rigors of growing up in modern times, students often look to Mr. Yabuki for advice and guidance. But when Mr. Yabuki’s career is threatened as a result of a false accusation from the school’s PTA, the students band together to stand up for their beloved teacher and help him to save his good reputation and job.

Yoko Shintani, an instructor at an aerobics school, secretly enjoys eavesdropping on the rooms next door. She eavesdrops on the frequent comings and goings of men by her neighbor, the model Reiko Saegusa. She relieves her frustrations as she is approaching marriageable age and her dissatisfaction with the school by eavesdropping. However, Yoko is also being watched by the photographer's assistant Naito through a telephoto lens. One night, Yoko hears Reiko's death throes. Thinking that Reiko has been murdered, Yoko calls the police, but...

Japanese horror anthology of 3 terrifying tales.

Nishimura Gosaku, an aspiring photographer who loves mountain scenery, meets a boy named Sada Ichiro one evening who asks to borrow train fare. For some reason, Ichiro follows Nishimura everywhere. When told to go home, Ichiro refuses, claiming he doesn't want to return because of his estranged parents. Reluctantly, Nishimura lets Ichiro stay the night. The next day, Nishimura takes photos of Ichiro by the Sumida River, and they part ways on good terms. Meanwhile, Ichiro's worried father, Shigeo and mother, Fujiko, desperately ask Ichiro's classmates and tutoring teachers for his whereabouts, but no one knows where he is. Suddenly, Shigeo receives a phone call demanding a ransom of 10 million yen.

Naomasa, the former lord of Okayama Castle and the head of the Iseda family, takes a strange boy, Kirihito, under his wing. However, Naomasa is sent to Europe for his rather too liberal lifestyle…

Kimie, a traveling guitarist, performs at various inns at help out her sickly mother. One night while out with her mother, Otoshi, Kimie unexpectedly sees her father, who had abandoned the family 20 years ago. Her hopes for a happy reunion are quickly dashed as her father, having married into a wealthy family, wants nothing to do with her. Will Kimie be able to regain her father’s love?

Playgirl is a Japanese television action/drama series that ran from 1969 to 1976 over a total of 287 episodes. It was conceived in the Spy-Fi genre.

Set mainly in and around the Aizumi Police Station, this detective drama depicts a detective with a past as a former delinquent who fights against the rapidly increasing number of juvenile crimes.

Shinobu, who works in the advertising department of the female underwear maker Princess Underwear, has a dream of becoming a fairy tale writer. He has a colleague and fiancé Taeko, but he promised that he won't get married until he saves up 3 million yen, so until then he continues living in a second-hand bookstore. One Sunday, Shinobu, who was just walking around the city, helps an old woman who has fallen over. The old woman, Ijuuin Ayano, was born in a noble family and had run away from Kyoto due to a disagreement with her daughter-in-law.

A milestone in Japanese teen drama, representing the 1970s. It questions the meaning of life, worries, and joys.