Chernobyl: Utopia in Flames

We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.

Documentary about Hans Zimmer.

Origin sticks like shit to your shoe! That's what Marlen Hobrack says, who grew up as a working-class child in Bautzen. But the promise of the old Federal Republic was that you can become anything if you just try hard enough. But that no longer applies. So is class in Germany fixed from birth? Have we long been living in a country in which origin and family background are more important for future prospects than individual performance and commitment? In Germany, it takes six generations to rise from poverty to the middle class, in Denmark only two generations. Those affected reflect on their life stories, the burden of their social origins, the wrong and right turning points for social advancement, as classified by social researchers. They talk of pride and shame, of financial hardship and wealth, of origin and future, of growing up and moving up in this Germany with its entrenched selection mechanisms for social advancement.