Ó Paí, Ó: A Série

During Carnival at the historic site of Pelourinho, we follow the lives of tenants in a run-down rental house who try to survive using creativity, irony, humor and music. This is an adaptation of the TV show, not the 2007 movie which inspired the TV show.

Marked by losses and mismatches, José's eccentric family seek to be happy while locked in Paraíso Perdido, a nightclub that has stopped in time, where they sing popular romantic music.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

Benjamim Zambraia is a lonely man, a famous model with a tragic past. Some time in the past, he showed some officers the exact location where the woman he loved was hiding with her guerilla lover. As a result, the two were killed. One day, he casually meets a woman who looks very much like his former love, and this fact changes his life. Could she be the daughter of his great love? Or her reincarnation?

Henry Czerny plays American journalist Michael Coleman, a strung-out expatriate writing for a Brazilian newspaper. His professional obsession is Father Stephen Louis, a mildly popular and charismatic priest who has been the major political opponent of the greedy and ruthless landowners of the Bahia region. Mysteriously, the usually outspoken Father Louis has been silent for three months. With the Brazilian Congress about to vote on a major land-redistribution bill that could potentially tip the balance of power even further, Father Louis’s support of the peasants and his condemnation of the landowners is more important than ever. Coleman sets out alone for the politically unstable Bahia region to capture a highly anticipated interview with the elusive priest.

A woman in her forties whose life is governed by a tedious and emotionless routine. She has worked in a government office for 16 years where she stamps, numbers, and initials identical documents. She is lonely and takes refuge from the world in her run-down apartment. Her only escape is through her dreams– which are full of life, fantasy, and emotion.

In addition to the rescue of Alone, Peninha's composition, there are striking interpretations of George of Cappadocia, this guy and the bonus track Mel