Desperate Romantics

Based on the award-winning stage play, "My Left Nut" is a three-part coming of age comedy drama about friendship, family, grief and testicles. The series follows school-boy Mick and his journey after discovering a swelling on his testicle. He can't tell his dad; he died seven years ago. He can't tell his mum Patricia; she's got a million other things on her plate. He can't tell his schoolmates; there's an upside to rumours about the bulge in your trousers… And it’s not like it’s going to complicate things between Mick and his first girlfriend anyway, right?

Irreverent comedy drama which follows the messy lives, loves, delirious highs and inevitable lows of a group of raucous teenage friends in Bristol.

A sharp detective with a messy life, DCI Vera Stanhope patrols her “patch” of northeast England, pursuing the truth in cases of murder, kidnapping, and blackmail. Vera is obsessive about her work and faces the world with caustic wit, guile and courage.

Formerly a daydreaming party girl with a number of mental problems, Cassie has put many of her problems behind her, and waitresses at a café in London after having spent several years travelling around America with Sid Jenkins. Cassie forms an odd friendship with her stalker and tries to support her younger brother, Reuben, as their father, Marcus, fails to cope with the death of their mother.

After last season’s The Dante Project, the Paris Opera continues to explore the music of contemporary composer Thomas Adès with the French premiere of The Exterminating Angel. Inspired by Luis Buñuel’s 1962 surrealist film, which offered a scathing critique of the bourgeoisie, the work begins with a dinner among upper-class friends in a plush mansion after an opera performance. But, gradually, a mysterious force prevents the fifteen guests from leaving the reception. In this confinement for no apparent reason, drawn out over several days, the veneer of propriety cracks, revealing the worst of human nature. Thomas Adès has written a rich and tense score, amplifying the libretto’s strange atmosphere with unusual instruments such as the ondes Martenot. The Paris Opera has entrusted the staging of this huis-clos to Calixto Bieito. The director has long been fascinated by Buñuel’s universe.