Ptáci na kolejích

A historical film with balladic features set in 1348, when Europe was struggling with the greatest plague epidemic to date. The film strives to portray the Middle Ages as authentically as possible and to create a specific symbolic space in which ideas, dreams, and cultural archetypes are as tangible as beings and objects.

Little Meda spends her last summer days with her parents on a half-decayed farm. Among the overgrown flowerbeds she seeks shelter from the approaching storm, but also from the feeling that she is nowhere near home. As the parents find no words with each other and the big storm inevitably approaches, Meda escapes into the arms of the garden one last time. But some scarecrows are impossible to hide from.

Simon considers his porn use a problem and, in February, belatedly launches his own “No Nut November.” He documents his abstinence on camera, talks with two fellow participants who are also struggling with abstinence, and, through conversations with his parents, girlfriend, and addiction counselors, searches for the deeper meaning behind his addiction.

The young director Tomas Vynikal arrives at the Roma ghetto in search of humanity. With an authentic approach, he finds true friendship, but also human corruption. Everything is kept in the dark when the city of Prerov sells the ghetto together with its inhabitants to a private company for the purpose of new housing construction. This company will only go so far to demolish part of the houses and end up insolvent. The work is also a picture of current social problems in the Czech Republic, where human dwellings are meaninglessly devastated. These inhabitants receive new rental flats from the state, thus another ghetto is being created and society is moving in a catch 22 circle. The film contains time spent from September 2010 to September 2020.