Shams

Gharib recalls his life’s journey, which intersects with what the city of Suez experienced over two centuries through the Triple aggression and the Defeat of 1967. Gharib meets Mahmoud, who had been with his father in the people's resistance and they work together in resistance activities.

In Alexandria, Fatma needs money for her youngest son's weekly kidney dialysis. She travels to Cairo to beg away from home, after she collects enough money she returns to discover her son's death. She decides to protect her two daughters from poverty so she returns to Cairo to continue to beg.

The story of three half-sisters who are united when their father dies and his will dictates they live together if they are to get their inheritance. The three sisters; the passionate Nada, the westernized Roqaya, and the tempered Ghada, have to work out their differences.

Ali is a young Egyptian screenwriter determined to succeed in London, where he has been a student. He loves the artistic and political freedom, the colours, the music, the individualism. But he has little money, his student visa is about to expire and he has been thrown out of his lodgings. And so Ali moves in with a succession of eccentric and colourful London flatmates: Mark, a photographer with a very individual style, Linda, a young, blonde, very sexy model and Marilyn Monroe impersonator, and Miss Stevenson who is convinced that Ali is the reincarnation of her long dead Egyptian lover.

Kamel Helmy is a famous writer, in the late 1940s, living in Cairo, in the famous Imobilia building, after the death of his wife and the departure of his children from home. He suffers from loneliness and schizophrenia. One day he calls a girl named Samah who had befriended Facebook in an attempt to ease his isolation.

Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

A couple's relationship experiences some ups and downs as the societal pressures put upon them get increasingly burdensome.

Laila is considered a spinster due to her refusal to wed, which is born out of her fear of getting breast cancer like her mother. As she gets embroiled in trouble after her sister gets married in secret, Laila's life turns upside down when she meets an Egyptian man, who is searching for his mother.

Hassan and Fatma are a couple, living and working in a farm of wealthy owner Mourad. In the first days of the Jan 25th revolution, Ali seizes a security breach to break out of jail and runs to his cousin Hassan, for shelter. The latter takes him in but soon after, Mourad discovers the love that Fatma and Ali shared, years ago. This romantic history, fuelled by mounting sexual frustration, will come back to haunt all those involved.

"Nahed" (Nabila Ebeid) as the Greedy Mother fight over "Dina" (Arwa) the innocent talent who falls in love with "Nader" (Khaled Abol Naga) as a Music Talent Hunter & Famous icon/Director & shatters her Family apart when she becomes a big success.

Saudi girl Shihana, who used to enjoy life and look at the world from a lovely perspective, finds herself trapped in the darkest place of terror and destruction when she finds herself in the ISIS organization, and she tries to break out from the surrounding deaths.

In Shubra, a group of residents interacts with each other in a tapestry that highlights the extent of tolerance extant between the Muslim and Coptic communities through times of both conflict and harmony.