Anjo Meu

Vera de Almeida Barreto highlights her choices as a woman dedicated to family, sacrificing herself to support her husband's career and raise their three children. Upon discovering Lourenço's affair with lawyer Daniela Lopes (Rita Salema), a younger woman, Vera reevaluates her life, questioning her role as a woman and facing a lack of support from her children in this challenging situation. The plot becomes even more complex when Vera falls in love with a younger man, challenging societal norms and exposing the double standards surrounding age differences in relationships.

When the school year starts at Barra Secondary school, a big artistic contest is launched to find the new talents of tomorrow. All students are excited, but a string of mysterious disappearances preceded by cyberbullying will disturb this cheerful excitement and divide the students. Everyone has something to hide, so everyone could be the next one to disappear...

Eva and her sisters live humbly in Lisbon, unaware that their lives are about to take an unexpected turn. When Gaspar, a wealthy businessman based in Angola, suddenly dies, he leaves his entire fortune to the three young women, who overnight become the owners of a great fortune and an entire estate in Angola. However, not everything will be a bed of roses: they will have to confront Talu, a young Angolan engineer who was excluded from Gaspar’s inheritance in favor of Eva. And despite being in opposite sides, neither Talu nor Eva will be able to resist the strong attraction they feel for each other. Among the breathtaking landscapes of Angola and the modern business world of Portugal, the young lovers will find themselves at the center of a web of antagonistic interests, in the dispute over Gaspar’s inheritance.

The story of a girl created by the gypsy community but who in fact is heiress of a great empire. The woman who robbed her in the past now sees her future threatened. The return of the Heiress unleashes struggles of power and affections and a love to withstand anything.