Bermúdez

Determined mother Mrs. Garcia strives to give daughters Valeria and Mar a better future, shielding them from poverty. She'll fight to see her dreams reflected in them and provide the highest standard of living.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.

Sol is a hardworking woman who has the chance to work as a backing vocalist for a funk singer and return to dancing, as she did in her youth. Torn between family pressure and passion for the stage, she must face the judgment of her church's members and conflicts with her family. The new chance will make her reconnect with her past in many ways, leading her to find her great youth love.

A comedy-drama following a chaste young woman who is accidentally impregnated via artificial insemination as she struggles to inform her devoutly religious family and make the right choices concerning the child. Based on the telenovela "Juana la virgen."

The life of a single, carefree man suddenly changes when he has to take care of three nieces.

One of Lima’s most exclusive residential neighborhoods is turned upside down by the arrival of the Gonzales family, who have come from the countryside to settle into a half-finished house they inherited. Their down-to-earth ways will rub the neighbors the wrong way, especially the Maldinis, who will do everything in their power to get rid of them. As the years go by and new seasons unfold, the story deepens with the arrival of the Montalván family, who will bring even more conflicts and unexpected situations to this unique neighborhood.

85 episodes (1994). Cristina Carbajal is a woman who has paid an unjust sentence for having been wrongly blamed for the death of her husband. After ten years locked up, she manages to get out of prison for good behavior. Her daughters Karina and Rosita, who were only five years and one year old when her mother was incarcerated, are now 15 and 11 years old. They have been raised by her father's uncles, Braulio and Eloisa Monasterios. The Monasteries hate Cristina, since they believe that she is responsible for the death of her nephew, and they have told the girls that they are orphans.