A che punto è la notte

September 1943. After Italy surrenders to the Allies, people in Naples believe the war is finally over, but soon they realize Germans are still in control — and as ruthless as ever. Armed with makeshift weapons, civilians rise up en masse against the invaders — and overwhelming odds.

Giuseppe Di Noi, an Italian surveyor living in Sweden, gets arrested at the border while going back to Italy with his family for a vacation. But can someone tell the man why?

An Italian laborer foils anyone who tries to stop him from selling espresso on the Milan-to-Naples night train.

September the 8th 1943, Rome, day of the armistice. Danilo escapes the fascist enlist, while Michele succeeded to leave his administration moving from Rome. On the way to come back Rome the two meets Gino and all together will try to pass trough the Gothic Line.

The usual gang of robbers are hired by a thief from Milan to steal a suitcase full of money, but troubles will hinder the success of the operation.

During a debate in Naples' town hall in the early 1980s, Pasquale Picone, a former steel-worker who has recently lost his job, sets himself on fire in front of the Municipal Council.

A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.

Peppino Bardellotti, a widower, lives in Milan with his four daughters and ex sister-in-law Matilde, who urges girls to settle down by marrying a wealthy man.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

The film's theme is four episodes that offer the public a glimpse into the lives of rich and poor families in Italy in the 1960s.

A man is delighted to hear that his wife is pregnant and he begins to prepare for the wonders of fatherhood. As time progresses along, the family grows larger with each successive child and the father feels his importance in the family has been lessened with all the children. This man's quiet desperation to hold onto his position is an interesting lesson in the family dynamic and how everyone is an important part of the whole.

World War II soldiers enter Sicily to seize German arms supply only to discover there is not a gun in sight.

This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.

Turn-of-the-century Naples. Salvatore Ruotolo and his wife are murdered and their bodies are found in different locations. Since the evidence points to a crime by the Neapolitan crime organization, the Camorra, fear and corruption cause serious hindrances to the investigation by police authorities. In charge is a young and courageous judge who, using evidence discovered by chance, tries to reconstruct the story of the double murder. The plot that the judge must unravel is very complicated.

The day he is released from jail, Serge is expected by four killers sent by Count Charles Varèse assigned to make him confess where he has hidden the jewels stolen during his last stickup. On the other hand the police inspector who arrested him offers him protection on condition he gives him the same piece of information. Serge refuses and is about to be tortured by Varèse's henchmen when Michel, a friendly hood, comes to his rescue. His friendship will result in... a heap of corpses! —Guy Bellinger

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.