A che punto è la notte

September 1943. After Italy surrenders to the Allies, people in Naples believe the war is finally over, but soon they realize Germans are still in control — and as ruthless as ever. Armed with makeshift weapons, civilians rise up en masse against the invaders — and overwhelming odds.

A woman has jumped or been pushed from five stories of an apartment house. The detective on the case lives there, and he discovers that the woman's estranged husband does also.

A member of the party opposed to the one in which he is mistakenly listed as a candidate, a citizen with a somewhat murky private life becomes a senator.

An Italian laborer foils anyone who tries to stop him from selling espresso on the Milan-to-Naples night train.

The young Claudia wants to escape from the gray life of the province and aims rich men but each time with unhappy results. Only the brother will eventually succeed in shaking her from this purpose.

The usual gang of robbers are hired by a thief from Milan to steal a suitcase full of money, but troubles will hinder the success of the operation.

A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

A man is delighted to hear that his wife is pregnant and he begins to prepare for the wonders of fatherhood. As time progresses along, the family grows larger with each successive child and the father feels his importance in the family has been lessened with all the children. This man's quiet desperation to hold onto his position is an interesting lesson in the family dynamic and how everyone is an important part of the whole.

World War II soldiers enter Sicily to seize German arms supply only to discover there is not a gun in sight.

This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.

The day he is released from jail, Serge is expected by four killers sent by Count Charles Varèse assigned to make him confess where he has hidden the jewels stolen during his last stickup. On the other hand the police inspector who arrested him offers him protection on condition he gives him the same piece of information. Serge refuses and is about to be tortured by Varèse's henchmen when Michel, a friendly hood, comes to his rescue. His friendship will result in... a heap of corpses! —Guy Bellinger

Alberto's marriage is a complete failure: his wife Elena is a hard woman influenced by her mother and sister who live with the married couple. Alberto is also experiencing financial problems and hopes for the help of a rich widow who is however interested in his sexual favours. Naturally Elena puts obstacles in his way and everything goes wrong. Alberto decides to change job then and becomes a sweets sales representative. Disillusioned with marital life he also changes his attitude towards women: he tells every woman he meets he is single.

Turn-of-the-century Naples. Salvatore Ruotolo and his wife are murdered and their bodies are found in different locations. Since the evidence points to a crime by the Neapolitan crime organization, the Camorra, fear and corruption cause serious hindrances to the investigation by police authorities. In charge is a young and courageous judge who, using evidence discovered by chance, tries to reconstruct the story of the double murder. The plot that the judge must unravel is very complicated.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Five portraits of actresses in their "common" life, seen as women rather than movie stars.