The Alternative Comedy Experience

Stewart Lee and Richard Herring, lacking the food and drink required to watch association football, end up instead watching a video tape in which Carol Vorderman counts down the 9 scariest horror creatures.

Stewart Lee's Comedy Vehicle is a comedy series created by Stewart Lee. The BBC Two series debuted on 16 March 2009, and featured stand-up routines filmed at The Mildmay Club in Newington Green, and sketches based on a weekly theme, featuring amongst others Simon Munnery, Kevin Eldon and Paul Putner with voice-over parts recorded by Peter Serafinowicz. The series is produced by Richard Webb and directed by Tim Kirkby. The programme is executive-produced by Armando Iannucci and script-edited by Chris Morris, marking a rare reformation of their creative double-act.

Armando Iannucci's alternative take on some of the events that have defined the past 12 months.

In 2007, Stewart Lee was voted the 41st best stand-up of all time in an official Channel 4 poll, apparently better than Lenny Bruce but not as good as Jim Davidson. But what real difference does this accolade make? His TV pilot has been cancelled and his mother still thinks the 1970s game show host Tom O'Connor is funnier than him.

Stewart Lee's latest live show, Content Provider, is also his most successful live show yet. He toured it for 214 dates from November 2016 to April 2018. This is a filmed recording of that show

The unorthodox comedian’s latest act, an introspective look into people, culture and the essence of stand-up itself - all with the iconic Stewart Lee style. Oh, and jazz.

Set in the year 2031, this mockumentary looks back at events that ostensibly happened during the first 30 years of the 21st century. The series follows a format that co-creator Armando Iannucci previously used in his satirical year-in-review programme '2004: The Stupid Version'.

After four years working on Richard Thomas' Jerry Springer - The Opera, Stewart Lee returns to stand-up in search of clarity, self-respect and immediate sensual and intellectual gratification.

You're looking at a very special DVD that very nearly didn't happen. Stewart Lee's tour de force, 90s Comedian, has been dubbed so controversial (along with his directing debut Jerry Springer the Opera) that none of the big DVD manufacturers would touch it with a barge pole. Which is a shame, and is why the fearless Go Faster Stripe stepped in and offered to organise a special one-off evening's pe

What can a sexless middle aged married man, whose life now consists mainly of watching Scooby Doo cartoons with a four year old boy, possibly find to write comedy about? Formerly stand-up s youthful iconoclast, Lee now gawps blankly at News 24 as Britain burns down around him, and blinks weirdly at the vast wayside retail outlets during endless journeys to and from increasingly indistinct provincial theatres. Once he lived on the pleasure planet. Now he is trapped in Carpet Remnant World

Stewart Lee is a ‘snowflake’, and in this hour from his tour, the Bafta-winning comedian illustrates how being ‘woke’ doesn’t mean having to sacrifice freedom of speech.

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.

It's Kevin is a British television comedy show, created by and starring the actor and comedian Kevin Eldon. It was screened on BBC Two between March and April 2013.

TV's Frankie Boyle has declared that no-one over 40 should do stand-up, as the old comedians lose their edge and their anger. Stewart Lee is 42 and Frankie's heartless Scottish words have made him wonder if it's worth carrying on. Undaunted, the furiously baffled comedian tries to win round the legendarily harsh Glasgow audience with a crowd-pleasing Mcintyre-style routine about coffee shops, but is distracted by scores of imaginary pirates; he tries to talk about every day middle aged men's concerns, but is drawn into a forty minute rant against Top Gear and all it stands for; he attempts to find some common ground with happy childhood memories that he and the audience can share, but is instead consumed with loathing and despair as a result of a Magners' Cider advertising campaign.

The Bafta-winning Stewart Lee performs his latest touring show, focusing on a bizarrely erroneous description of his work on Netflix and a mind-boggling review from Alan Bennett.

Fist of Fun was a British comedy television and radio programme, written by and starring Lee and Herring. A lot of the show's comic material was adapted from Lee and Herring's radio programme Lionel Nimrod's Inexplicable World. Each episode of Fist of Fun featured several disparate sketches and situations. Fist of Fun began as a BBC Radio 1 series in 1993, before becoming commissioned as a television series on BBC Two in early 1995. It was broadcast at 9pm on Tuesday nights, and was successful, but not a major ratings-winner. The second series was aired on Friday nights, and although its ratings were relatively good, the show suffered from a lack of preparation and poor promotion. The show was not given a third series, and Lee and Herring went on to write This Morning with Richard Not Judy, for BBC Two. Many other comedians who appeared in the series went on to fame themselves, including Kevin Eldon, Peter Baynham, Ronni Ancona, Alistair McGowan, Al Murray, John Thomson, Rebecca Front, Mel Giedroyc, Sue Perkins, Ben Moor and Sally Phillips.