Caméra Café

Drew is an assistant director of personnel in a Cleveland department store and he has been stuck there for ten years. Other than fighting with co-worker Mimi, his hobbies include drinking beer and not being able to get dates. To make a few extra bucks he has a micro-brewery going in his garage with his buddies.

Based on the bestselling book by Candace Bushnell, Sex and the City tells the story of four best friends, all single and in their late thirties, as they pursue their careers and talk about their sex lives, all while trying to survive the New York social scene. 

The Andy Griffith Show is an American sitcom first televised on CBS between October 3, 1960 and April 1, 1968. Andy Griffith portrays the widowed sheriff of the fictional small community of Mayberry, North Carolina. His life is complicated by an inept, but well-meaning deputy, Barney Fife, a spinster aunt and housekeeper, Aunt Bee, and a precocious young son, Opie. Local ne'er-do-wells, bumbling pals, and temperamental girlfriends further complicate his life. Andy Griffith stated in a Today Show interview, with respect to the time period of the show: "Well, though we never said it, and though it was shot in the '60s, it had a feeling of the '30s. It was when we were doing it, of a time gone by." The series never placed lower than seventh in the Nielsen ratings and ended its final season at number one. It has been ranked by TV Guide as the 9th-best show in American television history. Though neither Griffith nor the show won awards during its eight-season run, series co-stars Knotts and Bavier accumulated a combined total of six Emmy Awards. The show, a semi-spin-off from an episode of The Danny Thomas Show titled "Danny Meets Andy Griffith", spawned its own spin-off series, Gomer Pyle, U.S.M.C., a sequel series, Mayberry R.F.D., and a reunion telemovie, Return to Mayberry. The show's enduring popularity has generated a good deal of show-related merchandise. Reruns currently air on TV Land, and the complete series is available on DVD. All eight seasons are also now available by streaming video services such as Netflix.

Claude Casey moved up in the secretarial world of television news, from temp to the anchor's desk. After her boss hires her full time, Claude realizes she may be in over her head in this world of assistants fighting to get ahead. But Claude is determined to prove that though she may not be perfect, she's not going down without a fight.

The story of a group of friends in Madrid.

Nathan Barley is a Channel 4 sitcom written by Charlie Brooker and Chris Morris, starring Nicholas Burns, Julian Barratt, Charlie Condou and Claire Keelan. The series of six weekly episodes began broadcasting on 11 February 2005 on Channel 4. Described by his creator as a "meaningless strutting cadaver-in-waiting", the character originated on Brooker's TVGoHome – a website parodying television listings – as the focus of a fly-on-the-wall documentary called Cunt.

Valerie Tyler is a 28-year-old organization freak who loves her 16-year-old sister Holly. Even if Holly is rambunctious. Spontaneous. Impulsive. Disconcerting. And definitely disorganized. Then Holly moves in with Val, and the sisters discover they may make better siblings than roomies.

Hyacinth Bucket (whose name, she insists, is pronounced "Bouquet") is a suburban housewife in the West Midlands. She would be the first to tell you that she is a gracious hostess, a respected citizen, and a well-connected member of high society. If you don't believe that, just ask her best friend Elizabeth, held captive in Hyacinth's kitchen; or the postmen and neighbours who bristle at the sound of her voice; or Richard, her weary and compliant husband. In fact, Hyacinth's reputation could be as perfect as her new lounge set, if not for her senile father's love of running wild in the nip. Oh, and she would prefer it if her brother-in-law was a sharper dresser. And that her husband was more ambitious. And that her sisters were more presentable. And do take your shoes off before you come in the house, dear. Mind that you don't brush against the wallpaper.

The life and times of rather traditional Sutcuoglu family and their comedic struggles to adapt the high-profile contemporary life of Nisantasi.

Investigative reporter Chris Morris puts modern Britain under the spotlight, and smacks the issues of the day till they bleed. He tackles weighty issues including animals, drugs, sex and skewered celebrities and politicians alike - and in a later episode in 2001, paedophiles.

The mishaps of Chavo, an 8-year-old Mestizo-Latino American orphan boy who lives in a village. Together with Quico, Chilindrina, Ñoño and La Popis, Chavo experiences a series of humorous entanglements.

Crank up the 8-track and flash back to a time when platform shoes and puka shells were all the rage in this hilarious retro-sitcom. For Eric, Kelso, Jackie, Hyde, Donna and Fez, a group of high school teens who spend most of their time hanging out in Eric’s basement, life in the ‘70s isn’t always so groovy. But between trying to figure out the meaning of life, avoiding their parents, and dealing with out-of-control hormones, they’ve learned one thing for sure: they’ll always get by with a little help from their friends.

Fatherhood has taken on a whole new meaning for Jason Seaver, who has assumed the chores of cooking, cleaning and minding the kids so that his wife, Maggie, can pursue a career in journalism after spending 15 years as a housewife.

Only Fools and Horses.... Is a British sitcom created and written by John Sullivan. Seven series were originally transmitted on BBC One from 1981 to 1991, with sixteen sporadic Christmas specials aired until 2003. In working-class Peckham in south-east London, ambitious market trader Derek 'Del Boy' Trotter and his younger half-brother Rodney, explore their highs and lows in life, in particular their attempts to get rich. Initially not an immediate hit and receiving little promotion early on, it later achieved consistently high ratings, and the 1996 episode "Time on Our Hands" (originally billed as the series finale) holds the record for the biggest UK audience for a sitcom episode, attracting 24.3 million viewers. The series bears a significant influence on British culture, contributing several words and phrases to the English language.