Mandaar

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Two newly wed men Anupam and Rajat who are established in life are henpecked husbands. They plot to flee from their wives and jobs. Due to a twist of another aspiring husband turned dacoit Bullet Singh all plans get spoiled. Finally things take a hilarious turn and end interestingly. The celebrated actors have put in their best. But Anirban Bhattacharya steals the show with his deliberately faulty speech. Some elements do not make it a family movie though. In spite of the U certificate some references do not make it suitable for children. Written by sgaparajita

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