Monstrous

Juhee, a professor of theater, is diagnosed with a possible malignant tumor at the hospital. She goes back to school and tries to settle her affairs but many people come to her lab out of the blue.

Reality and fantasy melds as a Korean documentary film director attempts to capture life in the small town of Gojo, Japan.

Kye-na, an average woman in her late twenties, holds a steady job and a committed boyfriend, Ji-myoung. Yet instead of feeling content, she constantly faces uncertainty, confusion and anxiety. While struggling with personal relationships and life's woes, Kye-na finally embarks for New Zealand despite everyone’s dissuasion on leaving her home behind.

Facing financial uncertainty and entering middle age, a married couple in their early thirties contemplate whether it's the right time to have their first baby.

The story of those who see and make films, and the cinema that brings them together.

Part I : A middle-aged woman gets off a bus at Muju Terminal. She passes through the town and walks into a forest. She starts to search for the vestiges of her life from beyond the grave. Part II : A young woman, Minjae, returns to her hometown of Muju and starts to work at the county office. Her mother is displeased that her daughter has returned to the hometown. One day, Minjae’s friend from college, Kyungyoon, who hadn’t been in touch for a while, comes to see her.

Die Bad is an inventive feature made up of four distinct episodes, each with their own style. With their criss-crossing characters and themes, they add up to a fairly comprehensive account of the causes and effects of male aggression, both tribal and individual.

Eighteen year-old Tae-hoon and Mi-jung have been going out for 100 days. During winter break they decide to take a trip to the beach to celebrate their anniversary. When they are back home after a few days, they have to confront a harsh situation – Mi-jung’s parents don’t allow them to see each other until they become college students. Tae-hoon struggles to keep their love and wanders around Mi-jung but she is eventually changed and avoids him as her parents wish. Winter turns to spring, and Tae-hoon and Mi-jung both turn nineteen.

A man travels home after receiving a call from his mother. As she copes with her past, he lends a listening ear to her woes, memories and song.

Between winter and spring, on a night that could go either way, two directors take to the streets with cameras and memories still in motion. Confession and rejection, love and its wreckage as fiction and reality bleed into one another, what they're truly waiting for may not be snow at all.

Actors and film students Geum-joo and Dong-geun descend on Muju, the hometown of their classmate Min-ju. Their task is to create the "first memory" of the person the play--the memory that has been kept in the character's mind for the longest time, the memory that has become the character's unconscious.

An omnibus film produced by Indie Forum. The directors made a short film of about five minutes under the theme of "self-reliance".

16mm / 12 min. / Color

35mm / 19 min. / Color

DV / 22 min. / Color

In a coastal Japanese town, high school senior Takeru conceals his feelings for his childhood friend, Min-Soo. Their rekindled friendship and Takeru's struggle with his sexuality set the stage for a heartfelt journey. As they confess their feelings, part ways, and eventually reunite, their love unfolds against the backdrop of their cherished hometown. Their enduring bond, built on shared memories, supports Takeru's journey towards self-acceptance. At last, Min-Soo’s return signals the triumph of love in a story of enduring affection, courage, and belonging.