1821: The Heroes

A writer sees the people around him exclusively as book heroes, his decision to write a book about them causes him real life problems.

A series of events leads a group of young people, spending their summer on an Aegean island, to make life-changing decisions.

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.

Romaniotes: the distinct Greek-Jewish community in the city of Ioannina, with customs and traditions that differ from those of the Sephardic and Ashkenazi Jews, whose traces are lost in the depths of time. The Romaniotes became an integral part of the cultural mosaic of the city of Ioannina since the Byzantine era, but faced the danger of extinction during the harsh period of the Second World War. Narrating their history through time unfolds not only the story of the city, but of the whole country by and large.

This is the story of two Greek families, named Delafrangas and Bisbikides. The former family is very wealthy & lucky, the latter very poor and continually struck by fate. Poor but honest Martha is in love with Giakoumis, a young builder and bouzouki organist, but all her dreams fall apart when posh Tzela "steals" the love of her beloved one... A couple of flash backs, following their families roots back to WW2 and the Turkish domination, and a hidden secret will unfold the story's ending..

A satire of life in modern Greece, presented through a series of different stories about sex. There are several couples and their relation with sex in parallel stories that come together in a hilarious way.

The relationships, changes, and conflicts among six childhood friends from Salamina unfold over a period spanning from the triumphant 1987 EuroBasket victory to the 1994 FIFA World Cup and the Greek national team's disappointing performance.

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

This highly acclaimed drama from Greek writer/director Sotiris Goritsas, inspired by the Sotiris Dimitriou short story, represented Greece as an official selection for the 1994 Cannes Film Festival Directors' Fortnight. It concerns two young Greek men seeking refuge in Albania. Thomas (Vassilis Eleftheriadis) and Achilleas (Ierassimos Skiadaeressis) make an illegal late-night run at the Greek border, joined by young Nikos (Antonis Manolas), a child whose mother had been killed by Albanian guards. Returning to Athens, they find that the land they had missed and dreamed of so often has changed, refusing to accept the returning refugees or even see them as Greek -- the locals refer to the trio as "Albanians" throughout the film. Demoralized and disillusioned, Thomas is accidentally killed while working at a building site to make ends meet, and Achilleas and Nikos decide to return to their Albanian village rather than stay in an Athens, which clearly has no place for them anymore.

Two people, alone in a desolate city. Costas and Anna in Athens. Costas is an engine driver. The trains he drives travel from one end of the city to the other, following the traces of the ancient rivers that were paved over and made into roads. Anna sells ferry boat tickets at Piraeus, the city’s main harbour, the place where the rivers once flowed into the sea. Costas knows Anna. He sees her every morning, waiting on the platform for his train to take her from Thiseion to Piraeus; and he sees her every afternoon, when his train takes her from Piraeus back to Thiseion. Anna doesn’t know Costas. From the window of the train car she looks out at the same desolate city every day, without knowing who’s driving the train. When something happens to turn Costas’s life upside down, he decides to reach out from inside his solitude and talk to Anna.

Sweet stories, bitter stories, with a beginning, without an end. We rarely do we hear them. The big story? Breast cancer.