Pennies from Heaven

A young local girl is murdered by a mentally disturbed youth, but the villagers blame a stranger, an Italian traveling showman and his bear, rather than see the rot in their own camp.

Dennis Potter's controversial reading of the life of Christ, with Jesus portrayed as a hearty, fiery, well-meaning carpenter who believes that people should try to love their enemies rather than fight all the time, but who is racked by self doubt as to whether or not he is the popularly anticipated Messiah.

Playwright Christopher Hudson finds his medical problem hinders his writing. He employs secretary Sandra George and dictates his new play to her, but tensions soon develop between the two. As Hudson creates, scenes from his play are dramatized and interpolated. The play being created is Dennis Potter's Angels Are So Few, seen with a totally different cast from the 1970 BBC production.

An anthology series of BBC television dramas on sexual themes. The same cast are featured in each production.

Elderly couple Sylvia and Arthur Calvert are forced to move in with their widowed son and his children in Carshall New Town.

Glen, a complete stranger, appears at the door of Elizabeth Carter, a middle-aged woman, and claims to be the illegitimate son she gave away at birth.

Semi-autobiographical TV play by Dennis Potter, from the BBC's 'Wednesday Play' series. It deals with the experiences of Nigel Barton, a young man from a poor mining community who wins a scholarship to Oxford University. The villagers accuse him of snobbery, while the rich University students treat him like a peasant. Uncertain of which sphere he should be moving in, Nigel tries to reconcile himself with his proud but stubborn father, and also succeed at University, despite its pretentions which apall him.

That Was the Week That Was, informally TWTWTW or TW3, is a satirical television comedy programme on BBC Television in 1962 and 1963. It was devised, produced and directed by Ned Sherrin and presented by David Frost. The programme is considered a significant element of the satire boom in the United Kingdom in the early 1960s. It broke ground in comedy through lampooning the establishment and political figures. Its broadcast coincided with coverage of the politically charged Profumo affair and John Profumo, the politician at the centre of the affair, became a target for derision. TW3 was first broadcast on Saturday 24 November 1962.

George, an ineffectual and inoffensive clerk, and his prim wife Gladys reserve their greatest efforts for preserving their respectibility. Sam, a rough-necked American seaman, invades their dull suburban routine. The play examines the clash of cultures between a fading British Empire and the dominance of American materialistic values.

Candidate Nigel Barton goes from idealism to cynicism as he becomes disillusioned and suspicious of hollow campaign promises.

Exhaustive 13-part survey of the television medium from its hesitant beginnings in the 1920s to the multi-million dollar extravaganzas of today and the cable and satellite technologies of the future [relative to 1985]. Tackling the medium as a worldwide phenomenon, the series examines each of the principal areas of programming - news, drama, documentaries, and light entertainment - and the unique impact of "live" coverage.

A British businessman whose family company has been taken over by a multinational corporation clashes with his new American manager while they both vacation with their families at an Italian villa at their employer's expense. The manager's son fantasizes a murderous outcome.

Dennis Potter used his own background as a Russian language clerk in the War Office when writing this play for ITV's SATURDAY NIGHT THEATRE series. At the time of the 1956 Suez Crisis and the Russian invasion of Hungary, Private Bob Hawk reports to the London Intelligence Office where the strength of Soviet troops is under scrutiny.

Tormented and bedridden by a debilitating disease, a mystery writer relives his detective stories through his imagination and hallucinations.

After a brief tutelage with innovative BBC documentary producer Denis Mitchell, Dennis Potter teamed with producer Anthony de Lotbiniere to film a documentary (later described by David Niven as "absolutely wonderful"). Returning to the Berry Hill roots of his childhood, Potter used interviews with locals (including his parents) to show changes in the working-class traditions of the Forest of Dean, where "the green forest has a deep black heart beneath its sudden hills, pushing up slag heaps and gray little villages clustering around the coal."

On an idyllic summer afternoon in the summer of 1943, a group of children play in the West Country hills, fields and forests. With no adults around, they indulge in spontaneous games and horseplay - sometimes echoing the distant war, at other times revealing their own insecurities and petty vindictiveness.