Vardianos Sta Sporka

A young man returns to his home after years abroad, despite not becoming wealthy, he has managed to save money for his last years.

An adaptation of one of the greatest greek novellas ('The Murderess' by Alexandros Papadiamantis). Fragkogiannou (Maria Alkaiou), a hard-done by, deranged woman after a life full of hardship, recalls the past by her newborn girl grandchild’s crib. Her mother was a wicked woman and one of her sons was a criminal. Lost in a haze, she strangles the baby as she is concvinced that girls can cause their family only trouble. Later, she lets a little girl drown in a well, while she drowns three other little girls, one of whom is a newborn baby. This is her way of sparing children and parents of the inevitable suffering in life.

An adaptation of Alexandros Papadiamantis's short story. Passion for a woman and some desperate thoughts push a young man to secretly take a stranger's boat and set sail. The wind carries him away and he is shipwrecked. He comes to in a cave, near the deserted shores, among three eccentric people who, each for their own reasons, live on the margins of society. He listens to them recount their personal stories with humour and self-deprecation. But behind their seemingly ill-fated romances, he discerns true love.

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Fragogiannou, an elderly woman born and raised in a male-dominated society, believes that the birth of a girl brings misery to both the child and its family. Starting with her own newborn granddaughter, she commits crimes against young girls.