Hug Me

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

When 12-year-old Lauri tries too hard to get his older siblings’ attention he falls badly and loses his ability to walk. Now Lauri is stuck at home, lonelier than he ever was. Just then a helpful furry creature from another dimension appears and takes him on a fantasy adventure. In the other dimension Lauri trades his shadow for being able to walk again, but the shadow becomes a goofy, all-eating monster who follows Lauri back to his world. To beat the monster Lauri needs to team up with his siblings and give up his ability to walk. However, Lauri is now determined to learn to walk again and he has his siblings beside him - and that’s what really matters.

A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.

A story of a man with a very dense eyes who sees all the surrounding reality only after seven years. The consequence of the eye defect translates into the mental immaturity of the man, lack of understanding of the present and belated reflections on long-gone facts. The man is never mature enough for his age and constantly lingers on the past.

A beautiful summer day in Moomin Valley. Suddenly, a wasp stings Moomintroll, who falls ill and has to stay in bed. To cheer him up, Moominpappa recounts his youthful adventures; his misunderstood childhood, escape from an orphanage and his historic meeting with the inventor Hodgkins.

After running away from her depressing village in eastern Europe, a teenage girl meets a new friend under a bridge.

The first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

Nastia, who has lived abroad for years, starts to teach her mum how to use internet services. Different perceptions of technology become the starting point for exposing intergenerational conflicts and long-forgotten family threads. Can an intimacy regained via Zoom be a turning point for the future relationship between two adults?

Follows a bear cub and his papa bear as they embark on an adventure to find the Golden Land which is believed to harbor an endless source of honey, so they can prepare a birthday cake for the little one.

An organised arts teacher has only one main problem in life, which is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour.

This winter is extraordinary; Moomintroll decides to stay awake to explore the winter instead of hibernating as usually. And winters are certainly totally different than he had imagined. Strangest creatures wander amidst the snowdrifts; midwinter darkness surrounds the Moominvalley, and on top of that, an eccentric guest is soon to appear. This guest requires many measures, and is called Christmas, Hemulen tells to a surprised Moomintroll.

The film portrays a story of a woman, who keeps on stumbling and falling in her daily rush.

Odo – the little owl with big ideas – helps make the Forest Camp for Young Birds lots of fun!

Wake up, get ready, a quick breakfast to the sound of his favourite jazz – and it is time to rush off to work, just like every day.

On a global scale, war is always either further away or closer. In the film we see the tragic day from many perspectives. The narrator talks, looks through photographs and documents, and talks about other wars, about other children: Japanese, Cambodian, Balkan, Rwandan, Syrian. Documentary footage mixes with animation to create a kind of inner world landscape.