Hold on, look ahead.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

Corry, a French coordinator of pediatric heart transplants is sent to Japan where organ donation remains taboo. As she fights to save a young boy, her partner Jin, a photographer from Yakushima, suddenly vanishes.

After a painful breakup, Miu vows to focus on art and avoid love — until an encounter with an aloof, charming artist stirs her deepest instincts.

A young bioarchaeologist Yukisuke is attracted to a girl Koyomi, who runs a small stand of taiyaki pastry that he often buys. Koyomi is hospitalized, however, by a car accident on a rainy day after they go out together, and wakes up with short term memory loss, where she cannot remember anything beyond the present day. Yukisuke tries to live close to her as before but the lack of collective memory starts to stagger him.

Haruka, a young recognized female entrepreneur, was forced to retire from her company due to the abuse of her authority. For her pride, she attempts to sell her family home and starts her new business, despite her two brothers and a sister living and running a small restaurant at the house.

This work is a 12-year story of Mana, a woman who cannot accept the death of her best friend, staring at her as she tries to step forward while having deep sorrow.

Three women in Yokohama who have their own troubles and thoughts and are seeking salvation. They relied on the “date therapists” to heal the women, save the world, and be lovers for one night.

Kaori, an allomantic and asexual woman, is left shattered after her fiancé Takeru’s sudden suicide. Seeking closure, she embarks on a journey with Nakano, Takeru’s best friend, to the place of his death—unraveling hidden layers of love, identity, and the Takeru they never truly knew.

Sawai Honami is an illustrator who is addicted to the charm of public baths. While drawing illustrations, she meets women from different walks of life at a public bath.

Mio is 20 years old. Having lost her parents early, she and her grandmother run a traditional inn in Nagano. However, her grandmother gets sick. Mio moves to Tokyo and lives with her father’s best friend, Kyosuke. He runs a public bath. She begins to work at the public bath, but it is scheduled to be demolished to make way for redevelopment.

27-year-old Hatsumi Takimoto is a former teacher and now waitress. She holds a secret. Three years after her boyfriend died, she receives a letter from him. After meeting a former student, Hatsumi Takimoto confesses about her past.

Ren struggles with the death of his longtime friend Kaoru. He finds a painting of a girl that Kaoru left behind. Ren sets out on a journey to find the girl.

In a corner of Tokyo, a man named Natsuo lives as a yakuza and a woman named Natsuki works part-time. Although they rarely think about their families, they attempt to reunite with them. Brother and sister, father and daughter; the distance between them begins to shrink, but... This film portrays the dynamics of people trying to co-exist in nature and in the city. Even though two individuals may be insignificant in the context of a large society, one life meets another and they move forward. This is a movie about their small footsteps.

This is a story of a young woman and her coming of age in Japan. In the winter before her college graduation, Michiru received a letter from a girl. Apparently, they are sisters who shared the same father. The letter explained their father who has left Michiru from her birth. Even though she had never cared about him, the fact about his existence spread within her.

Momoe is a web designer, Ryusei is a chef, both live in Machida. When Momoe has to move out of the town because of her job, she started to remember her memory with this town. The last days in the town, what will we leave and for what will we live.

The love and conflicts between mother and daughter, and between husband and wife. The final chapter of Nakagawa Ryutaro's trilogy, depicting the forms of love that endure through loss and rebirth.