长缨在手

On her wedding day, Ning Xiuxiu, the daughter of Tianqiang Temple Village's richest man, is kidnapped by bandits. Her father refuses to pay the ransom, marrying her sister to her childhood sweetheart instead. In defiance, Xiuxiu cuts ties with her family and marries farmer Feng Dajiao, learning the value of land and community. Inspired by revolutionary ideals, she empowers village women to challenge feudal beliefs and leads efforts against banditry and the Japanese invasion.

As China’s first aircraft carrier begins sea trials, elite pilots Xie Zhenyu and Yu Tao, under the guidance of veteran commander Qin Dadi, form the nation’s first carrier-based test flight team. Facing the global challenge of carrier takeoffs and landings, they combine scientific precision with courage and determination, embodying “the spirit of sea and air eagle” as they lead China’s jets to dominate the skies.

The Story of Zheng Yang Gate

Shaolin King of Martial Arts is a 2002 Chinese wuxia television series directed by Chang Hsin-yen, Liu Jiacheng, and Wu Chia-tai. It starred Wu Jing, Yaqi, Chunyu Shanshan, Gao Haiyan, Huang Yi, Yu Chenghui, Ji Chunhua, Yu Hai and Xu Xiangdong in the leading roles.

After divorcing, Li Zhongyuan and Yuan Shengnan hide the truth from their families while pursuing new relationships that lead them to question whether ending their marriage was the right decision.

Set in Jiudaowan, this story follows a group of young people over 40 years of reform and opening up. Through life's struggles, the twists and turns of love, and the challenges of their careers, these true friends face it all together, growing and maturing into adulthood.

Ding Kemang, a veteran theater actor, and Song Yang, a popular celebrity are cast in a play together. Through mentorship and dedication, the young star learns to overcome his impulsiveness, resist fame’s distractions, and grow into a skilled and respected actor.

About young village officer Dai Zhiqiang, who leads the citizens of Lian Xi village in developing the Dendrobium industry and alleviating poverty.

The play takes the post-90s generation as the entry point and focuses on the healthy growth issues of this generation. The strong conflict between the outlook on life and values of those born in the 1980s and those born in the 1990s makes them both contradictory and resonant.