The Count of Monte Cristo

The Power Game is an ITV drama spin-off from The Plane Makers (1963–65), created by Wilfred Greatorex. Broadcast for three 13-episode series, Patrick Wymark reprised his role as Sir John Wilder, who here ruthlessly pursues boardroom machinations and tangled relationships.

A man meets a woman at a wedding and manages to sweet talk her, only to end up inadvertently helping out another male.

The Misfit is an ATV sitcom created by Roy Clarke, broadcast from 1970 to 1971 on ITV. Basil Allenby-Johnson returns from Colonial Malaya to an England just emerging from the swinging sixties, a home he no longer recognises.

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.

A radio commentator is sent to a village to broadcast a bell-ringing team. Meanwhile a property speculator tries to buy a plot of land for less than it is worth.

A doctor and his wife are held hostage in their country home by an escaped convict and his sidekick, but a journalist's arrival complicates matters.

The second collection of short stories written by Baroness Orczy about the gallant English hero, the Scarlet Pimpernel and his League.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

An anthology series produced by Thames Television, comprised of short mystery, suspense or crime adaptations featuring, as the title suggests, detectives who were literary contemporaries of Arthur Conan Doyle's Sherlock Holmes.

The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.

The true story of the British explorer Robert Falcon Scott and his ill-fated expedition to try to be the first man to discover the South Pole - only to find that the murderously cold weather and a rival team of Norwegian explorers conspire against him

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

A world-class painter is taken ill and lies in the bedroom of an inn, while people down below squabble over his paintings and inheritance. The wily old man is unperturbed, even regarding the infernal trumpet sound which plays throughout.

ITV Playhouse is a British comedy-drama TV series that ran from 1967 to 1983, which featured contributions from playwrights such as Dennis Potter, Rhys Adrian and Alan Sharp. The series began in black and white, but was later shot in colour and was produced by various companies for the ITV network, a format that would inspire Dramarama. Actors appearing in the series included Leslie Anderson, Gwen Nelson, Ricky Alleyne, Pat Heywood, Michael Elphick, Ian Hendry, Edward Woodward, Margaret Lockwood, Jessie Matthews and Lloyd Peters.

Thriller is a British television series, originally broadcast in the UK from 1973 to 1976. It is an anthology series: each episode has a self-contained story and its own cast. As the title suggests, each story is a thriller of some variety, from tales of the supernatural to down-to-earth whodunits.