Tanya Sama Pokok

Mamat is a native of Kelantan, Malaysia, but he had left Malaysia many years earlier to join his brother Lazim in South Thailand in order to continue making his living as a trainer of fighting bulls (a Jogho). The practice had been outlawed in Malaysia but continued in Thailand. Mamat lives with his wife and three daughters, three divorcees and one who has not yet married, but he has sent his only son to boarding school in Kelantan. Mamat and Lazim are the leaders in a small village that depends mostly on the money won from gambling in bullfights for its sustenance. The story begins when Lazim is killed by Isa at the bullfighting arena.

A production team is filming at the home of one of their crew members' parents in a village in Perak. Trouble starts from day one, and even more challenges arise in the days that follow.

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The story of Almayer, a Dutch trader struggling to survive in Malaysia at the turn of the 19th Century. His dream of finding a mythical gold mountain is challenged by his scheming wife, the colonial authorities, the political machinations of the local chief and Arab traders, and his daughter's love for a freedom-fighting Malay prince.

It tells the story of Jo Don (Remy Ishak), a chef who dreams of pursuing his culinary skills in Europe. Jo Don faces a dilemma following the death of his father, Baha Don, who has left a will asking Jo to inherit the family business. Unbeknownst to him, his father has been using his food business as a front for illegal dealings in the food industry. The drama is also interwoven with a love story between Jo and Kesuma (Jihan Muse), but his mother, Mama Don (Susan), wants him to marry the daughter of her acquaintance, played by Melissa Campbell. Will Jo take over his father's business or continue his dream of becoming a chef as he has always aspired to be?

The story of Pak Ngah Agel, a renowned shadow puppet master in Kelantan who begins to face problems when his wayang musicians, one by one, cause trouble. Of seven musicians, only Pok Jak, the oboe player, understands him. Jaki and Semah are actors in the television film Panjak Tujuh (Seven Musicians).

Che Pa and his dance club were popular at some point in time. They are praised and their performances are quite anticipated-watching by the audience. But now, the times have changed and many do not understand why it's necessary to revive the dance or art that features men dressed, decorated, dressed and rugged like women. Despite being ridiculed and humiliated because of his work, Che Pa is very proud of this dance, which has been the source of his fortune raising his daughter. Bibah was previously proud of his father and praise for praise was given to his father and the name was often on his lips at times with friends. Until he became acquainted with a man and love destroying the love of a child to his father. The old blues praised now turned into a scoundrel with shamelessly disgusting views thrown to his father.

Ali, an honest man, has pursued Pak Iki all the way to Kelantan solely to return a water bottle that was left behind at the bus terminal. While staying at Pak Iki's house, Ali learns the true meaning of life. Pak Iki has taught Ali good living practices. Pak Iki feels regretful because he had neglected his children when they were still alive. Pak Iki wants to make amends for his mistakes. Therefore, he has asked Ali to stay with him until his last breath.

The struggle for power in the paddy and rice business in Tumpat district, Kelantan, has sparked enmity between Wan Nawang Kelaboran and Mat Tok Kaya Sg Pinang. The hostility between the two tokeys of the rice mill reached its peak in 1961.

The story follows Kamal, a responsible son who takes care of his elderly mother. He faces a dilemma when they are evicted by the landlord due to failure to pay rent. Their ordeal worsens when his mother goes missing from their lodging. At the same time, circumstances change when Kamal meets Hadi.

Rahul, an Indian immigrant worker arrives in town only to find the company that offered him a job has gone out of business. He is helped by a local restaurant owner and begins his life in the city as an illegal immigrant worker. In Setapak, Gienna is a Chinese woman in her 30's. She is constantly avoiding phone calls from her mother and finds herself spending an afternoon helping a stranger, a senile old lady, who can't remember where her house is. In Ampang, Hafidd a young man meets a cute stranger at the LRT Station after they both missed the last train. For someone who has never dated anyone in his life, this occasion is a life-defining moment for the young man and his only hope to see a glimpse of love. Together the 3 stories create a collage and kaleidoscope of surprising and electrifying human connections that give life to the city.

Duan, a Mak Yong artist, migrates to Kuala Lumpur at the insistence of his parents after being involved in a fight in the village. He meets his friends from the village and works in various part-time jobs but his new life in the city does not prevent him from continuing to be active in the arts of Mak Yong that has been integrated in his soul. He clashes with a group of criminals when he tries to save a girl. She is kidnapped because of a past revenge that had caused the brother of a criminal leader to be sentenced to death for killing her boyfriend.

It tells the story of three retired military veterans living in an old folk's home. They conspire to sneak out of Baldu Blanket House because they want to witness the Heroes' Day Parade. Each of them harbors a secret unknown to their friends. Will they succeed in this mission?

The story of Tok Penghulu Siak who feels lonely and wants to have children tells his wife Mak Tanjung about this. Wak, who was formerly a village chief, operates a somewhat neglectful shop. Some villagers discover two human skeletons on the beach. Tok Penghulu believes they are his daughter Mariam and her husband Kasim. He asks the villagers to keep this secret from Mak Tanjung who is pregnant. Mak Tanjung dies after giving birth to Melati. Tok Penghulu is grief-stricken from losing his wife and continues to raise their child. He experiences emotional strain that causes his mind to become unsound. He scolds the villagers who tell him his wife has died. Wak asks the villagers to all move elsewhere because various disasters have occurred in this village, but the chief stubbornly refuses. Wak gets work looking after Tuan Besar Syarif's horses. Yanti, Tuan Syarif's daughter, is willing to marry Wak rather than marry an old man of her father's choosing, Kamdin.

Sumayyah is caught in the middle because of her father and mother's attitudes. Qalid tries to plan a vacation and reconcile with his wife. However, during his twin journey, unbeknownst to him, a lost elderly woman ends up in the van with them and claims Qalid as her nephew. Who is this lost grandmother really? What happens to Qalid's plans?